In 2001, Freestyle, a survey exhibition curated by Thelma Golden at the Studio Museum in Harlem, introduced both a young generation of artists of African descent and the ambitious yet knowingly opaque term post-black to a pre-9/11 and pre-Obama world. Nana Adusei-Poku contextualizes the term post-black in its sociohistorical and cultural context.
Read More
In 2001, Freestyle, a survey exhibition curated by Thelma Golden at the Studio Museum in Harlem, introduced both a young generation of artists of African descent and the ambitious yet knowingly opaque term post-black to a pre-9/11 and pre-Obama world. Nana Adusei-Poku contextualizes the term post-black in its sociohistorical and cultural context.
Read Less