This third volume turns to the late Middle Ages, when "the serene art of the 13th century was followed by the impassioned, sorrowful art of the 14th and 15th centuries." Confronted by Franciscan Christianity, painters and sculptors reacted to "poets who had the gift of tears," rather than to the "grave men nourished by doctrine" who had inspired artists of the 1200s. Viewing the reign of Charles VI as the beginning of the iconography of the late Middle Ages, M???le focuses on the 15th century, but includes discussion of ...
Read More
This third volume turns to the late Middle Ages, when "the serene art of the 13th century was followed by the impassioned, sorrowful art of the 14th and 15th centuries." Confronted by Franciscan Christianity, painters and sculptors reacted to "poets who had the gift of tears," rather than to the "grave men nourished by doctrine" who had inspired artists of the 1200s. Viewing the reign of Charles VI as the beginning of the iconography of the late Middle Ages, M???le focuses on the 15th century, but includes discussion of 16th-century works of art up to the final session of the Council of Trent in 1563.
Read Less
Choose your shipping method in Checkout. Costs may vary based on destination.
Seller's Description:
Very Good. 1987. Hardcover. Clean copy fine in dust wrapper. DW showing light shelf wear. Remains a very good copy.....We ship daily from our Bookshop.
Choose your shipping method in Checkout. Costs may vary based on destination.
Seller's Description:
Very Good. 1986. Hardcover. Cloth, dj. Quarto. 597 pp. Illustrated. Slight shelf wear to dust jacket, upper corners mildly bumped. Altoghether a copy in Very Good condition. Very Good. (Subject: Medieval, Architecture & Sculpture).
Choose your shipping method in Checkout. Costs may vary based on destination.
Seller's Description:
Very Good in Very Good- jacket. Size: 9x2x11; Princeton University Press, 1986; no later printings indicated; xiii, 597pp. Bollingen Series XC, Vol. III. Translated from the revised 1949 fifth edition. Black burlap over navy buckram binding. Binding is tight, sturdy, and square; very minor wear to edges of boards, red/gilt titling remains bright and bold; text very good throughout; previous owner's bookplate on front end page. Unclipped dust jacket lightly toned over spine, else in VG condition, arrives wrapped in protective mylar. Due to the size/weight of this book extra charges will apply for international and/or expedited shipping. Ships same or next business day from Dinkytown in Minneapolis, Minnesota.
Choose your shipping method in Checkout. Costs may vary based on destination.
Seller's Description:
Used-Very Good. This third volume turns to the late Middle Ages, when the serene art of the 13th century was followed by the impassioned, sorrowful art of the 14th and 15th centuries. Confronted by Franciscan Christianity, painters and sculptors reacted to poets who had the gift of tears, rather than to the grave men nourished by doctrine who had inspired artists of the 1200s. Viewing the reign of Charles VI as the beginning of the iconography of the late Middle Ages, Māle focuses on the 15th century, but includes discussion of 16th-century works of art up to the final session of the Council of Trent in 1563. BEAUTIFUL COPY! ! !
Choose your shipping method in Checkout. Costs may vary based on destination.
Seller's Description:
Near fine in near fine jacket. 278 b/w illustrations. 597 pages. Short thick 4to, two-toned cloth, d.w. Princeton: Princeton UP, (1986). A near fine copy in a near fine dust wrapper. Bollingen Series XC-3, edited by Harry Bober.
