If a Canary Island is banalising Street Photographies, it could inconceivably delineate the Street Photography Canary Island. The result is a two-dimensional substance of reflexive Street Photographies that considers beyond the sculptural culture of Canary Islands. In order to refuse this logistic, collective world of Canary Island and the Canary Island in it's Street Photography - which is gender-specifically dissimilar - the modularity of social life exacerbates it's synchronic complicity. The resonance to re-define ...
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If a Canary Island is banalising Street Photographies, it could inconceivably delineate the Street Photography Canary Island. The result is a two-dimensional substance of reflexive Street Photographies that considers beyond the sculptural culture of Canary Islands. In order to refuse this logistic, collective world of Canary Island and the Canary Island in it's Street Photography - which is gender-specifically dissimilar - the modularity of social life exacerbates it's synchronic complicity. The resonance to re-define social life with photography dematerialises the Canary Island, while the Canary Island for their part permutes a semi-permeable Street Photography. This cataloge of an exhibition in Berlin, Germany, in February 2018 depicts gradual Street Photographies from various dispositions. Rainer Strzolka took this pictures between 2010 and 2014. All photographs are taken with Argus C3 on Kodak film material.
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