Ross Chambers shifs the emphasis to precisely the play of authority and mastery by focusing on the narrative situation or the "point" of telling a story in given context. He studies the relation between teller and listener in a set of French, English, and American short stories from the nineteenth and early twentieth centuries and detects in that relationship the key to the power of fiction. In each of these stories, the author identifies the narrative situation by recourse to the metaphor of seduction, a phenomenon ...
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Ross Chambers shifs the emphasis to precisely the play of authority and mastery by focusing on the narrative situation or the "point" of telling a story in given context. He studies the relation between teller and listener in a set of French, English, and American short stories from the nineteenth and early twentieth centuries and detects in that relationship the key to the power of fiction. In each of these stories, the author identifies the narrative situation by recourse to the metaphor of seduction, a phenomenon Chambers finds characteristic of literary production in the modern period. "Story and Situation is a powerful work of criticism, the best work in short narrative I know, and will redirect critics' attention to a form which has always engaged readers but has recently been neglected by literary theorists. . . . It is clear, assured, and intelligently paced."-Jonathan Culler, Cornell University
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Seller's Description:
Good-Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name-GOOD Standard-sized.
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Seller's Description:
Fair. Obviously well-worn, but no text pages missing. May have highlighting and marginalia, but markings do not interfere with readability. Textbooks do not have accompanying CDs or access codes. Ships from an indie bookstore in NYC. Trade paperback (US). Glued binding. 280 p. Theory and History of Literature, 12.