Thomas Struth is considered one of the major figures of German photography. He combines a rigorous style with a neutral, objective vision of reality and an impressively precise technique. The first major monograph on Struth to be published in the United States, Still continues a notable tradition of books by German photographers from August Sander and Albert Renger-Patzsch to Hilla and Bernd Becher, and is a beautiful survey of Struth's body of work, including stunning close-up views of flowers, restrained urban ...
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Thomas Struth is considered one of the major figures of German photography. He combines a rigorous style with a neutral, objective vision of reality and an impressively precise technique. The first major monograph on Struth to be published in the United States, Still continues a notable tradition of books by German photographers from August Sander and Albert Renger-Patzsch to Hilla and Bernd Becher, and is a beautiful survey of Struth's body of work, including stunning close-up views of flowers, restrained urban streetscapes, intimate portraits, and frenzied museum interiors. Critic Peter Schjeldahl has written in the Village Voice: "Thomas Struth [is] one of a generation of photographers whose work is the latest strength of a German art culture that seems to have no end of aces up its sleeve . . . His urban shots apply Becheresque formulas of static, unpopulated (surely early-morning), shadowless views with a feel for the ?typical' or ?average' aspect of a subject. As if in compensation, Struth's astonishing family portraits burn with human presence." Struth began in the early 1980s to make steely black-and-white photographs of deserted city streets and decaying buildings. In recent years, his work has diversified in subject, scale, and color to embrace increasingly ambitious subjects and challenging locations. Struth has extended his urban investigation to the inhabitants and spaces of the city, from Milan to Tokyo, while his recent landscapes and portraits complete his unique vision of the alternately public and solitary conditions of being.
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Seller's Description:
This is an ex-library book and may have the usual library/used-book markings inside. This book has hardback covers. Book contains pencil markings In fair condition, suitable as a study copy. Dust jacket in fair condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item, 1250grams, ISBN:
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Seller's Description:
This is an ex-library book and may have the usual library/used-book markings inside. This book has hardback covers. Book contains pencil markings. In poor condition, suitable as a reading copy. Dust jacket in fair condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item, 1250grams, ISBN:
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Seller's Description:
Good. Unused. French/English text. Light scuffs along edges of jacket. Contents clean and unread. 144 p. 45 colour & 8 duotone photographs. Intended for college/higher education audience. Intended for professional and scholarly audience.
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Seller's Description:
Very good in Very good jacket. Dark rub/scuff marks on back edge of jacket spine. Cover has a couple white scuffs. Inside pages are clean and unmarked.
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Seller's Description:
Very Good+ in Very Good dust jacket. 1580930948. Text clean and tight; NOTE: additional postage may be necessary for international shipping; 8vo 8"-9" tall; 144 pages.
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Seller's Description:
Fine Condition in Fine Condition jacket. Book 143 pp., 50 illustrations 44 four-color plates. First American edition. Text is in English. Forewords by Guy Tosatto, Hripsimé Visser, and Régis Durand. Includes biography, list of exhibitions, and bibliography. Dustjacket is protected with a mylar cover.
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Seller's Description:
Fine in Near Fine jacket. 4to-over 9¾"-12" (FR) Presumed 1st edition. No markings, Fine in Near Fine dust jackwt with 1/4" tear to top edge of front panel; DJ is in mylar sleeve. Cloth, 146pp, colour and B&W photos with the text in French and in English. Thomas Struth is considered one of the major figures of German photography. He combines a rigorous style with a neutral, objective vision of reality and an impressively precise technique. The first major monograph on Struth to be published in the United States, Still continues a notable tradition of books by German photographers from August Sander and Albert Renger-Patzsch to Hilla and Bernd Becher, and is a beautiful survey of Struth's body of work, including stunning close-up views of flowers, restrained urban streetscapes, intimate portraits, and frenzied museum interiors. This book was published for an exhibition of Struth; s works at Nimes, Amsterdam and Paris. (3.2 JM HOZ 401/3.