The utopian sixties inspired revolutionary and alternative ways to live, love, and entertain--and equally radical spaces to do it in. Stimulated by the psychedelic drug culture, rebel designers and architects distorted space to create womblike coves and isolation chambers, forging a spatial vocabulary that still reverberates today. At the same time, the tune-in-turn-on-drop-out message lured youths into far-flung communes, often under the roofs of brightly painted geodesic domes draped and tie-dyed fabric. Idealistic and ...
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The utopian sixties inspired revolutionary and alternative ways to live, love, and entertain--and equally radical spaces to do it in. Stimulated by the psychedelic drug culture, rebel designers and architects distorted space to create womblike coves and isolation chambers, forging a spatial vocabulary that still reverberates today. At the same time, the tune-in-turn-on-drop-out message lured youths into far-flung communes, often under the roofs of brightly painted geodesic domes draped and tie-dyed fabric. Idealistic and anarchic enclaves with names like Drop City and Morning Star redefined the concept of community, inventing a wildly spontaneous way of building and dwelling. For the first time, these ephemeral spaces are brought together in Spaced Out. The many never-before-published photographs and an inventive text by acclaimed author Alastair Gordon show in detail the spirit and ideas of this radical period.
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