Since bassist Rob Wasserman recently had a much-discussed session on the market, it's not surprising Rounder would rush this 13-cut collection recorded in 1982 from the vaults. This one is a superior work in terms of showcasing Wasserman's attributes, which include a huge tone, excellent compatibility and versatility, and tremendous overall skills. His talents were well displayed; he covers all the bases from bop to light fusion. He wrote every piece except "Lady Be Good," and while they're all short (none four minutes long ...
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Since bassist Rob Wasserman recently had a much-discussed session on the market, it's not surprising Rounder would rush this 13-cut collection recorded in 1982 from the vaults. This one is a superior work in terms of showcasing Wasserman's attributes, which include a huge tone, excellent compatibility and versatility, and tremendous overall skills. His talents were well displayed; he covers all the bases from bop to light fusion. He wrote every piece except "Lady Be Good," and while they're all short (none four minutes long and several less than three), he always manages to play a nifty phrase, elegant line or intricate passage. If you'd prefer a less bombastic, hyped example of Rob Wasserman's music, here's the ideal ticket. ~ Ron Wynn, Rovi
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