"Dissatisfied with life in her rural Wisconsin life, 18-year-old Caroline 'Sister Carrie' Meeber moves to Chicago to live with her sister and work in a shoe factory. It doesn't take long for her to realize that factory work is hard and dirty. After becoming ill and losing her job, Carrie is taken in by a rich, handsome man who pays for her apartment and finds her work as an actress. But Carrie soon finds another man to take care of her, who happens to be married and a criminal. Sister Carrie was originally rejected by ...
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"Dissatisfied with life in her rural Wisconsin life, 18-year-old Caroline 'Sister Carrie' Meeber moves to Chicago to live with her sister and work in a shoe factory. It doesn't take long for her to realize that factory work is hard and dirty. After becoming ill and losing her job, Carrie is taken in by a rich, handsome man who pays for her apartment and finds her work as an actress. But Carrie soon finds another man to take care of her, who happens to be married and a criminal. Sister Carrie was originally rejected by publishers for being too sordid. Dreiser fought against censorship of Sister Carrie, which went against social and moral norms of the time. It wasn't until 1981 when the University of Pennsylvania Press issued a scholarly edition that Sister Carrie started gaining popularity. The novel remains an influential example of naturalism and realism and is now considered one of the great American urban novels."--
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Dreiser's insight and understanding of human behavior becomes the bones of this profound look at the social / political machine churning under Capitalism. Extraordinary, powerful, demanding, attitude altering.
ninthchord
Aug 17, 2010
Masterful
I thoroughly enjoyed reading this work--for me, the first time to read Dreiser besides one short story. I fond myself caring very much for Carrie (the poor lamb in the stone jungle) and wanting her to succeed. With her story, Dresier points out that success in Chicago or New York may mean alienation.
As for Hurstwood, as Carrie's star rockets, his fizzles out. The man, already in possession of the success that Carrie desires, seeks exactly what Carrie winds up losing, the affection of another. In seeking affection, he loses his family and his wealth.
Drouet, the typical dandy, escapes unscathed. Everything is appearance and show to him, and feelings are something one can don or discard.
Dreiser's only shortcoming is his tendency to become long-winded. He could have left out a few scenes that I found redundant.
