Two decades of ethnographic, pedagogical and musical experience in Ireland inform Helen Phelan's investigation of the singing voice in ritual performance. She examines diverse ritual practices including community-based festivals, children's carnivals, women's choirs, university-based ritual laboratories, rituals of the established Irish Catholic churches, as well as those of new religious communities against the backdrop of economic, social, religious, and cultural changes in twenty-first century Ireland.
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Two decades of ethnographic, pedagogical and musical experience in Ireland inform Helen Phelan's investigation of the singing voice in ritual performance. She examines diverse ritual practices including community-based festivals, children's carnivals, women's choirs, university-based ritual laboratories, rituals of the established Irish Catholic churches, as well as those of new religious communities against the backdrop of economic, social, religious, and cultural changes in twenty-first century Ireland.
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