Signatures are unique and often reveal something of our individual personalities. In this intriguing book, John Wilmerding--an eminent historian of American art--explores the unconventional use of signatures in paintings. The author focuses on American artists who have not simply signed their works on a corner of the canvas but have intentionally placed their signatures within the pictorial space of the painting. A painter's name or initials might, for instance, appear as an illusion on a wall or floor, on an object ...
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Signatures are unique and often reveal something of our individual personalities. In this intriguing book, John Wilmerding--an eminent historian of American art--explores the unconventional use of signatures in paintings. The author focuses on American artists who have not simply signed their works on a corner of the canvas but have intentionally placed their signatures within the pictorial space of the painting. A painter's name or initials might, for instance, appear as an illusion on a wall or floor, on an object within an interior, or on some form in a landscape. Wilmerding examines such signatures in works by twenty-seven artists from the eighteenth through twentieth centuries, including John Singleton Copley, Winslow Homer, Thomas Eakins, Jasper Johns, Andrew Wyeth, and Richard Estes. After providing an overview of signatures in European art, Wilmerding looks closely at American painting. He argues that by placing a signature within a painting the artist may be making an explicit association with the setting or situation depicted. He demonstrates that such signatures or inscriptions can be viewed as fragments of autobiography or as concentrated glimpses of self-representation. Beautifully designed and handsomely illustrated, this book brings into focus the myriad and complex meanings of artists' signatures and is of interest to anyone who admires and studies American art and culture.
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Add this copy of Signs of the Artist: Signatures and Self-Expression in to cart. $11.43, good condition, Sold by ThriftBooks-Atlanta rated 5.0 out of 5 stars, ships from Austell, GA, UNITED STATES, published 2003 by Yale University Press.
Add this copy of Signs of the Artist: Signatures and Self-Expression in to cart. $15.64, very good condition, Sold by Wonder Book - Member ABAA/ILAB rated 5.0 out of 5 stars, ships from Frederick, MD, UNITED STATES, published 2003 by Yale University Press.
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Very Good. Very Good condition. Very Good dust jacket. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.
Add this copy of Signs of the Artist: Signatures and Self-Expression in to cart. $19.48, good condition, Sold by Midtown Scholar Bookstore rated 5.0 out of 5 stars, ships from Harrisburg, PA, UNITED STATES, published 2003 by Yale University Press.
Add this copy of Signs of the Artist: Signatures and Self-Expression in to cart. $22.00, like new condition, Sold by Abacus Bookshop rated 4.0 out of 5 stars, ships from Pittsford, NY, UNITED STATES, published 2003 by Yale University Press.
Add this copy of Signs of the Artist: Signatures and Self-Expression in to cart. $22.00, like new condition, Sold by Hennessey + Ingalls rated 4.0 out of 5 stars, ships from Los Angeles, CA, UNITED STATES, published 2003 by Yale University Press.
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Used-Like New in Very Good jacket. Signatures are unique and often reveal something of our individual personalities. In this intriguing book, John Wilmerding--an eminent historian of American art--explores the unconventional use of signatures in paintings. The author focuses on American artists who have not simply signed their works on a corner of the canvas but have intentionally placed their signatures within the pictorial space of the painting. A painter's name or initials might, for instance, appear as an illusion on a wall or floor, on an object within an interior, or on some form in a landscape. Wilmerding examines such signatures in works by twenty-seven artists from the eighteenth through twentieth centuries, including John Singleton Copley, Winslow Homer, Thomas Eakins, Jasper Johns, Andrew Wyeth, and Richard Estes. After providing an overview of signatures in European art, Wilmerding looks closely at American painting. He argues that by placing a signature within a painting the artist may be making an explicit association with the setting or situation depicted. He demonstrates that such signatures or inscriptions can be viewed as fragments of autobiography or as concentrated glimpses of self-representation. Beautifully designed and handsomely illustrated, this book brings into focus the myriad and complex meanings of artists' signatures and is of interest to anyone who admires and studies American art and culture. Dust jacket with closed tear at rear flap; otherwise, very nice, clean, like-new copy free of any marks. Wrapped in complimentary Brodart dust jacket protector.
Add this copy of Signs of the Artist: Signatures and Self-Expression in to cart. $25.00, very good condition, Sold by HPB-Ruby rated 5.0 out of 5 stars, ships from Dallas, TX, UNITED STATES, published 2003 by Yale University Press.
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Very good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!
Add this copy of Signs of the Artist: Signatures & Self-Expression in to cart. $26.00, very good condition, Sold by Powell's Books Chicago rated 5.0 out of 5 stars, ships from Chicago, IL, UNITED STATES, published 2003 by Yale University Press.
Add this copy of Signs of the Artist: Signatures and Self-Expression in to cart. $27.00, very good condition, Sold by Midtown Scholar Bookstore rated 5.0 out of 5 stars, ships from Harrisburg, PA, UNITED STATES, published 2003 by Yale University Press.
Add this copy of Signs of the Artist: Signatures and Self-Expression in to cart. $28.00, good condition, Sold by Mullen Books, Inc. ABAA / ILAB rated 4.0 out of 5 stars, ships from Marietta, PA, UNITED STATES, published 2003 by Yale University Press.
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VG (one copy may show inner hinge at title-page is slightly cracked from a rough opening of the book, Cover still firm) Dark green cloth in color illustrated dustjacket. xii, 204 pp., 42 color, 102 bw illustrations. A wonderful examination of the various and unique ways American artists have affixed their signatures or monograms to their works.