This book, the catalogue of the first retrospective of the work of the French Neoimpressionist artist Paul Signac to be held in nearly forty years, accompanies the 2001 exhibition organised by the Reunion des Musees Nationaux/Musee d'Orsay, Paris, the Van Gogh Museum, Amsterdam, and The Metropolitan Museum of Art, New York. This long overdue tribute to Signac's power of expression and artistic influence features some two hundred paintings, drawings, watercolours, and prints from public and private collections worldwide. ...
Read More
This book, the catalogue of the first retrospective of the work of the French Neoimpressionist artist Paul Signac to be held in nearly forty years, accompanies the 2001 exhibition organised by the Reunion des Musees Nationaux/Musee d'Orsay, Paris, the Van Gogh Museum, Amsterdam, and The Metropolitan Museum of Art, New York. This long overdue tribute to Signac's power of expression and artistic influence features some two hundred paintings, drawings, watercolours, and prints from public and private collections worldwide. Fully illustrated in colour and discussed in individual entries, these works offer an unprecedented overview of Signac's fifty-year career. Signac's artistic development began with the luminous plein air paintings he made in the early 1880s which reveal the lessons he absorbed from Monet, Guillaumin, and other leading Impressionists. From 1884 until 1891 Signac's close association with Georges Seurat encouraged his explorations of colour harmony, contrasts, and Neoimpressionist technique. In the scintillating works of his maturity the rigours of Pointillism gave way to richly patterned, decorative colour surfaces. In a series of essays the exhibition's curators disc
Read Less
Add this copy of Paul Signac 1863-1935 to cart. $57.00, very good condition, Sold by Maxwell's House of Books rated 3.0 out of 5 stars, ships from La Mesa, CA, UNITED STATES, published 2001 by Yale University Press.
Choose your shipping method in Checkout. Costs may vary based on destination.
Seller's Description:
Very Good in Very Good jacket. 4to-over 9¾-12" tall A beautiful, crisp, clean hardcover in very good condition; faint shelfwear and former owner's initials written neatly in ink on front endpaper. DJ in very good condition with mild edge wear, now in protective mylar cover.
Add this copy of Paul Signac, 1863-1935 to cart. $77.00, very good condition, Sold by Flip Your Wig rated 5.0 out of 5 stars, ships from Cloverdale, CA, UNITED STATES, published 2001 by Metropolitan Museum of Art.
Add this copy of Paul Signac, 1863-1935 to cart. $104.76, good condition, Sold by Bonita rated 4.0 out of 5 stars, ships from Newport Coast, CA, UNITED STATES, published 2001 by Metropolitan Museum of Art.
Add this copy of Paul Signac, 1863-1935 to cart. $107.00, very good condition, Sold by Shelley and Son Books (IOBA) rated 4.0 out of 5 stars, ships from Hendersonville, NC, UNITED STATES, published 2001 by Metropolitan Museum of Art.
Choose your shipping method in Checkout. Costs may vary based on destination.
Seller's Description:
Near Fine in Near Fine jacket. Size: 12x9x1; Bound in burgundy cloth with gilt lettering on the spine. During his fifty-year career, the French Neoimpressionist artist Paul Signac produced powerful works in many media. This beautiful book, which examines various aspects of Signac's career and reproduces in color some two hundred of his paintings, drawings, watercolors, and prints, is an unprecedented overview of his art and influence. The book traces Signac's artistic development, which began with the luminous plein air paintings he made in the early 1880s, continued with his explorations of color harmony, contrasts, and neoimpressionist technique made in close association with Georges Seurat, and culminated with the scintillating works of his maturity, in which the rigors of pointillism gave way to richly patterned, decorative color surfaces. Essays discuss Signac's triumphs as a painter, draftsman, watercolorist, and printmaker, examine his role as a promoter of his own works and those of his colleagues, and shed new light on his appreciation of the works of his predecessors, contemporaries, and followers. The volume also includes an annotated chronology and a map that pinpoints the sites depicted in Signac's works. 315 illustrations including 223 color plates and 92 black and white. 352pp. Illustrated dustjacket. CONDITION: Front bottom corner heavily bumped, other wise fine. Pages are crisp and clean. Binding and text block are square and tight. Dustjacket is lightly rubbed and has a small chip on the front bottom cover, otherwise fine. Due to the size and weight of this item, an additional shipping charge will likely apply, and will be requested after purchase. Full refund if not satisfied.
Add this copy of Paul Signac, 1863-1935 to cart. $151.17, new condition, Sold by GridFreed rated 5.0 out of 5 stars, ships from North Las Vegas, NV, UNITED STATES, published 2001 by Metropolitan Museum of Art.
Add this copy of Signac, 1863-1935 to cart. $2,353.50, new condition, Sold by BWS Bks rated 5.0 out of 5 stars, ships from Ferndale, NY, UNITED STATES, published 2001 by Metropolitan Museum of Art.
Choose your shipping method in Checkout. Costs may vary based on destination.
Seller's Description:
New. 0300088604. *** FREE UPGRADE to Courier/Priority Shipping Upon Request ***-*** IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT-Fine--with a bonus offer--
Add this copy of Paul Signac, 1863-1935 to cart. $2,477.00, new condition, Sold by BWS Bks rated 5.0 out of 5 stars, ships from Ferndale, NY, UNITED STATES, published 2001 by Museum; Yale University Press.
Choose your shipping method in Checkout. Costs may vary based on destination.
Seller's Description:
New. 0300088604. *** FREE UPGRADE to Courier/Priority Shipping Upon Request ***-*** IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT-Flawless copy, brand new, pristine, never opened--336 pages. Description: "This book, the catalogue of the first retrospective of the work of the French Neoimpressionist artist Paul Signac to be held in nearly forty years, accompanies the 2001 exhibition organised by the Reunion des Musees Nationaux/Musee d'Orsay, Paris, the Van Gogh Museum, Amsterdam, and The Metropolitan Museum of Art, New York. This long overdue tribute to Signac's power of expression and artistic influence features some two hundred paintings, drawings, watercolours, and prints from public and private collections worldwide. Fully illustrated in colour and discussed in individual entries, these works offer an unprecedented overview of Signac's fifty-year career. Signac's artistic development began with the luminous plein air paintings he made in the early 1880s which reveal the lessons he absorbed from Monet, Guillaumin, and other leading Impressionists. From 1884 until 1891 Signac's close association with Georges Seurat encouraged his explorations of colour harmony, contrasts, and Neoimpressionist technique. In the scintillating works of his maturity the rigours of Pointillism gave way to richly patterned, decorative colour surfaces. In a series of essays the exhibition's curators discuss Signac's richly interesting career from a variety of perspectives. John Leighton, Director of the Van Gogh Museum, provides an introductory essay that chronicles Signac's triumphs as a painter. The well-known Signac scholar Marina Ferretti Bocquillon focuses on Signac's achievements as a draftsman and watercolourist, and Sjraar van Heugten, Chief Curator of the Van Gogh Museum, summarises Signac's activity as a printmaker. Anne Distel, Chief Curator of the Musee d'Orsay, examines Signac's role as a promoter of his own works and those of his colleagues and describes a host of other activities-beyond painting-that engaged Signac's interest. The final essays in this volume shed new light on Signac's appreciation of the works of his predecessors, contemporaries, and followers-as evidenced in his artworks, in his published and unpublished writings, and in his private collection. Susan Alyson Stein, Associate Curator of European Paintings, The Metropolitan Museum of Art, examines the ways Signac understood the genius of such painters as Delacroix, Monet, Renoir, Cezanne, Van Gogh, Bonnard, and Matisse. Marina Ferretti Bocquillon explores the Signac's role as a collector, providing a wealth of new information about the works he owned by fellow artists. Contributor Kathryn Calley Galitz is Research Associate in the Department of European Paintings at The Metropolitan Museum of Art, New York. Lavishly illustrated with comparative and documentary photographs, the volume includes an annotated chronology and a map that pinpoints the sites depicted in Signac's works."--with a bonus offer--