Finnish conductor Osmo Vänskä recorded this exact pair of Sibelius symphonies for the BIS label in 1996, with the Lahti Symphony Orchestra, and this 2013 release with the Minnesota Orchestra is recognizably the work of the same artist. However, he has not simply repeated the earlier performance with a new ensemble. The biggest differences come in the Symphony No. 4 in A minor, Op. 63, which Sibelius wrote after a cancer diagnosis, convinced that he was at death's door. (He lived another 50 years.) The unbelievably dour ...
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Finnish conductor Osmo Vänskä recorded this exact pair of Sibelius symphonies for the BIS label in 1996, with the Lahti Symphony Orchestra, and this 2013 release with the Minnesota Orchestra is recognizably the work of the same artist. However, he has not simply repeated the earlier performance with a new ensemble. The biggest differences come in the Symphony No. 4 in A minor, Op. 63, which Sibelius wrote after a cancer diagnosis, convinced that he was at death's door. (He lived another 50 years.) The unbelievably dour finale is sometimes given over to histrionic declarations of gloom. Vänskä shaves almost a minute off the already quick earlier performance, resulting in a reading that some will find slightly dry. But really he just lets the music speak for itself, the Minnesota's trombones cutting off phrases like anvils of death, the cyclical appearance of the tritone interval in the work emerging naturally in the precise work of the Minnesotans (who for all the talk of Finnish musical miracles are at...
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