Beginning with the earliest experiments in musical accompaniment carried out in the Edison Laboratories, Kathryn Kalinak uses archival material to outline the history of American music and film. Focusing on the scores of several key composers of the sound era, including Erich Wolfgang Korngold's Captain Blood , Max Steiner's The Informer , Bernard Herrmann's The Magnificent Ambersons , and David Raksin's Laura , Kalinak concludes that classical scoring conventions were designed to ensure the dominance of narrative ...
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Beginning with the earliest experiments in musical accompaniment carried out in the Edison Laboratories, Kathryn Kalinak uses archival material to outline the history of American music and film. Focusing on the scores of several key composers of the sound era, including Erich Wolfgang Korngold's Captain Blood , Max Steiner's The Informer , Bernard Herrmann's The Magnificent Ambersons , and David Raksin's Laura , Kalinak concludes that classical scoring conventions were designed to ensure the dominance of narrative exposition. Her analyses of contemporary work such as John Williams' The Empire Strikes Back and Basil Poledouris' RoboCop demonstrate how the traditions of the classical era continue to influence scoring practices today.
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Add this copy of Settling the Score: Music and the Classical Hollywood to cart. $13.62, fair condition, Sold by HPB-Red rated 5.0 out of 5 stars, ships from Dallas, TX, UNITED STATES, published 1992 by University of Wisconsin Press.
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Add this copy of Settling the Score: Music and the Classical Hollywood to cart. $13.64, very good condition, Sold by HPB-Emerald rated 4.0 out of 5 stars, ships from Dallas, TX, UNITED STATES, published 1992 by University of Wisconsin Press.
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Reader copy. Ex-library hardback without dust jacket covered in plastic, some shelf wear to edges of cloth boards, corners bumped, usual library stamps/markings, otherwise good, clear text, binding fine, published 1992 by The University of Wisconsin Press, 248pp, isbn0299133605, ready for immediate despatch from Uk. 2E*
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