"I woke up / this morning to a world cataclysmic / in the ordinary ways." And this world in Matt Hart's Sermons and Lectures Both Blank and Relentless operates in stereo. In its right speaker: the melody of a male vocalist who feels literally beside himself, constantly observing each of life's interactions while also ferociously experiencing them, yelling Emerson and Whitman and Kant into the mic. In the left blares the bass lines of Jawbreaker, Alice Cooper, and the yawps of Patti Smith. "One can't be out-of-control-in ...
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"I woke up / this morning to a world cataclysmic / in the ordinary ways." And this world in Matt Hart's Sermons and Lectures Both Blank and Relentless operates in stereo. In its right speaker: the melody of a male vocalist who feels literally beside himself, constantly observing each of life's interactions while also ferociously experiencing them, yelling Emerson and Whitman and Kant into the mic. In the left blares the bass lines of Jawbreaker, Alice Cooper, and the yawps of Patti Smith. "One can't be out-of-control-in control," writes Hart, and with a righteous blending of pulpit fervor and mosh pit frenzy, these poems feed upon the friction of life's contradictions and our hunger for absolutes, setting up the reader to discover "nothing is perfectly nailed to the wall." Sermons and Lectures Both Blank and Relentless is an epic call for magnificence and truth from a remarkable poet at his finest.
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