Michigan-trained countertenor David Daniels broke through to a wide audience partly as a result of this 2000 recording, issued soon after he made his Metropolitan Opera debut. Daniels fearlessly plunged beyond the Baroque and Renaissance repertory into the Romantic era and even the early twentieth century, becoming essentially the first countertenor to do so. When it comes to Daniels' encounters with the individual composers represented on the disc, your mileage, as the phrase goes, may vary. However, it's hard to dispute ...
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Michigan-trained countertenor David Daniels broke through to a wide audience partly as a result of this 2000 recording, issued soon after he made his Metropolitan Opera debut. Daniels fearlessly plunged beyond the Baroque and Renaissance repertory into the Romantic era and even the early twentieth century, becoming essentially the first countertenor to do so. When it comes to Daniels' encounters with the individual composers represented on the disc, your mileage, as the phrase goes, may vary. However, it's hard to dispute the assertions that a) his voice was in one of those rare phases of fresh perfection that young singers sometimes hit on, and b) he had the personality to pull together what looks on the face of it like a set of material that's all over the musical map. Daniels is unlikely to start a trend among countertenors to record Schubert and Beethoven. His recordings of their songs here, with Schubert's Adelaide nicely chosen to balance Beethoven's setting, are certainly not unattractive, but...
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Antonio Caldara; Antonio Cesti; Antonio Lotti; Charles Gounod; Christoph Willibald Gluck; Francis Poulenc; Franz Schubert;... Poor. Used-Acceptable, withdrawn library disc(s) with liner notes. Disc(s) should play great without any playback issues. Disc(s) & liner notes may contain typical library markings like stickers, protective label covers, & writing. Discs may be repackaged in library style casing. Back artwork & any other promo material not included.
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