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Screening the Text: Intertextuality in New Wave French Cinema

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Cinema has always been "literary" in its desire to tell stories and in its need to borrow plots and narrative techniques from novels. But the French New Wave directors of the 1950s self-consciously rejected the idea that film was a mere extension of literature. With subversive techniques that exploded traditional methods of film narrative, they embraced fragmentation and alienation. Their cinema would be literature's rival, not its apprentice. In Screening the Text, T. Jefferson Kline argues that the New Wave's rebellious ...

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Screening the Text: Intertextuality in New Wave French Cinema 1992, Johns Hopkins University Press, Baltimore, MD

ISBN-13: 9780801842672

Hardcover