Pushes back against the Western critical appetite for ethnic and cultural markers in Chinese film, narrating how Chinese filmmakers increasingly escape Western demands and screen China's many facets
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Pushes back against the Western critical appetite for ethnic and cultural markers in Chinese film, narrating how Chinese filmmakers increasingly escape Western demands and screen China's many facets
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Seller's Description:
This is an ex-library book and may have the usual library/used-book markings inside. This book has soft covers. In fair condition, suitable as a study copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item, 700grams, ISBN: 9780892641581.
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Seller's Description:
PLEASE NOTE, WE DO NOT SHIP TO DENMARK. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Please note we cannot offer an expedited shipping service from the UK.
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Seller's Description:
New. The most comprehensive book to date on the relevant issues in Chinese film studies Series: Michigan Monographs in Chinese Studies. Num Pages: 400 pages, illustrations. BIC Classification: 1FPC; APFA; JFSL. Category: (P) Professional & Vocational. Dimension: 222 x 146 x 25. Weight in Grams: 560. 2002. Paperback.....We ship daily from our Bookshop.
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Seller's Description:
PLEASE NOTE, WE DO NOT SHIP TO DENMARK. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Please note we cannot offer an expedited shipping service from the UK.
Choose your shipping method in Checkout. Costs may vary based on destination.
Seller's Description:
Very Good. Size: 6x1x9; 2003 (2nd) printing. Spine is uncreased, binding tight and sturdy; text also very good; very minor wear to edges of wraps. Ships from Dinkytown in Minneapolis, Minnesota.
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Seller's Description:
Good. Minimal highlighting/markings. Moderate shelfwear and/or minor creases. Pages clean and intact. Very Clean Copy-Over 500, 000 Internet Orders Filled.
All Editions of Screening China: Critical Interventions, Cinematic Reconfigurations, and the Transnational Imaginary in Contemporary Chinese Cinema Volume 92