This text tells the story of modern Scottish painting and sculpture. It sets out the claim of artists like Macintosh and Fergusson to be partners, not followers in the early modern movement. It traces the impact of the ideas of the Scots Renaissance on the work of painters such as William Godstone, the evolution of a distinct Edinburgh School with Sir William Gillies, Anne Redpath and Sir Robin Philipson. It also details the important place that artists from Scotland such as Joan Eardley, Sir Eduardo Paolozzi and Alan Davie ...
Read More
This text tells the story of modern Scottish painting and sculpture. It sets out the claim of artists like Macintosh and Fergusson to be partners, not followers in the early modern movement. It traces the impact of the ideas of the Scots Renaissance on the work of painters such as William Godstone, the evolution of a distinct Edinburgh School with Sir William Gillies, Anne Redpath and Sir Robin Philipson. It also details the important place that artists from Scotland such as Joan Eardley, Sir Eduardo Paolozzi and Alan Davie played in the post-war period in Britain. It examines the achievement of Ian Hamilton Finlay, the revolutionary impact of John Bellany's work and finally artists such as Steven Campbell, Ken Currie and others who have marked a new flowering of Scottish art in the 1980s and 1990s.
Read Less
Choose your shipping method in Checkout. Costs may vary based on destination.
Seller's Description:
Very Good in Very Good jacket. 4to-over 9¾"-12" tall. 1st edition, 4to, 192pp, colour and b/w photo illustrations; VG Copy in VG DJ minimally nicked at extrems.
Choose your shipping method in Checkout. Costs may vary based on destination.
Seller's Description:
Near fine in near fine jacket. Profusely illustrated in color. 192 pages, 4to, black cloth, dust wrapper (private library stamp on front free endpaper). Edinburgh: Mainstream Publishing, (1994). First edition. Near fine.
