Sarah Morris is interested in archetypes, in using the iconographic language of images and materials already fraught with significance. Known for her perspectival color-field images of apartment buildings, Capital , her first work in book form, pulls sped-up images and stills from her video project of the same name.
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Sarah Morris is interested in archetypes, in using the iconographic language of images and materials already fraught with significance. Known for her perspectival color-field images of apartment buildings, Capital , her first work in book form, pulls sped-up images and stills from her video project of the same name.
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Seller's Description:
Very Good in Acceptable. jacket. Size: 9x0x10; [ART]. Sarah Morris, Ronald Jones, Catherine Schelbert, Stefan Barmann. "Sarah Morris: Capital." Berlin, DE: Nationalgalerie im Hambuirger Bahnhof, 2001. English and German languages. Hardcover in jacket. Sky blue boards with white dye-stamped lettering. 10 x 9.5 x 0.5 in. 26 x 24 x 1.5 cm. 29 oz. Unpaginated, but 96 pp. Significant tear to dust jacket. Ink fading on front board on one letter. Ex libris embossment on free front endpaper: [Lloyd & CO.]. Text clean. Very Good in Acceptable jacket. ISBN: 3896110985."Sarah Morris is interested in archetypes, in using the iconographic language of images and materials already fraught with significance. Known for her perspectival color-field images of apartment buildings, Capital, her first work in book form, pulls sped-up images and stills from her video project of the same name."
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Seller's Description:
Fine in Fine jacket. Art. XL. A clean, unmarked book with a tight binding. Text in German and English. This book was published on the occasionof the exhibition "Correspondence" at the Nationalgalerie im Hamburger Bahnhof, Museum für Gegenwart-Berlin, May 31-July 15, 2001. Full blue cloth boards. 9 1/4"w x 10 3/8"h.