Miss Chalmers stood on the wharf at Clayton, poised upon one foot, while she employed the other in executing alternate tap-taps, denoting impatience, and vigorous stamping, by which she registered rage. Even the half-grown boy who had volunteered to find her a boatman knew that she was angry. Her free foot beat upon the rough flooring of the wharf with increasing vigor. The wharf did not care; it was old and stout, and did not pretend to be ornamental. Miss Chalmers's shoe might have protested, had it possessed a voice, for ...
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Miss Chalmers stood on the wharf at Clayton, poised upon one foot, while she employed the other in executing alternate tap-taps, denoting impatience, and vigorous stamping, by which she registered rage. Even the half-grown boy who had volunteered to find her a boatman knew that she was angry. Her free foot beat upon the rough flooring of the wharf with increasing vigor. The wharf did not care; it was old and stout, and did not pretend to be ornamental. Miss Chalmers's shoe might have protested, had it possessed a voice, for it was new and spotless, and of delicate constitution. With its mate, it had cost Miss Chalmers twenty dollars, a fact which is set down to obviate the necessity of describing what else the lady wore. Her whole costume was in complete financial and artistic harmony with its twenty-dollar-shoe foundation.
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Seller's Description:
Light wear to boards and to cocked spine, corners bumped; ink name on front free endpaper, slight musty scent. Fair. 300pp. Octavo in red cloth. Pseudonym of Edith Rathbone Jacobs Brainerd. Slight musty scent.