The Walk To the Paradise Garden, for orchestra (Interlude from "A Village Romeo & Juliet")
Roméo et Juliette, for alto, tenor, bass, chorus & orchestra ("symphonie dramatique"), H.79 (Op. 17): Introduction, Fighting, Tumult, The Prince's Intervention
Roméo et Juliette, for alto, tenor, bass, chorus & orchestra ("symphonie dramatique"), H.79 (Op. 17): Prologue, Latent Ancient Hatreds
Roméo et Juliette, for alto, tenor, bass, chorus & orchestra ("symphonie dramatique"), H.79 (Op. 17): Romeo Alone, Sadness, Distant Sounds of the Ball, The Ball at the Capulets
Romeo and Juliet, fantasy-overture for orchestra in B minor (3 versions)
The Walk To the Paradise Garden, for orchestra (Interlude from "A Village Romeo & Juliet")
Roméo et Juliette, for alto, tenor, bass, chorus & orchestra ("symphonie dramatique"), H.79 (Op. 17): Introduction, Fighting, Tumult, The Prince's Intervention
Roméo et Juliette, for alto, tenor, bass, chorus & orchestra ("symphonie dramatique"), H.79 (Op. 17): Prologue, Latent Ancient Hatreds
Roméo et Juliette, for alto, tenor, bass, chorus & orchestra ("symphonie dramatique"), H.79 (Op. 17): Romeo Alone, Sadness, Distant Sounds of the Ball, The Ball at the Capulets
Romeo and Juliet, fantasy-overture for orchestra in B minor (3 versions)
Romeo and Juliet, ballet in 4 acts, Op. 64: Act 1: Romeo
Romeo and Juliet, ballet in 4 acts, Op. 64: Act 1: The Street Wakens
Romeo and Juliet, ballet in 4 acts, Op. 64: Act 1: Masks
Romeo and Juliet, ballet in 4 acts, Op. 64: Act 1: Dance of the Knights
Romeo and Juliet, suite from the incidental music, Op. 56:
Naxos' compilation of selections from its catalog of pieces inspired by Romeo and Juliet includes the most famous, Tchaikovsky's Fantasy Overture, and several movements from Prokofiev's ballet, as well as works by Delius, Berlioz, Kabalevsky, and Johan Svendsen. Naxos, a label that is typically scrupulous about the presentation of its releases, includes no mention of who the performers are, which is a serious omission for listeners who like to know who's playing what they're listening to, and a marketing faux-pas, because ...
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Naxos' compilation of selections from its catalog of pieces inspired by Romeo and Juliet includes the most famous, Tchaikovsky's Fantasy Overture, and several movements from Prokofiev's ballet, as well as works by Delius, Berlioz, Kabalevsky, and Johan Svendsen. Naxos, a label that is typically scrupulous about the presentation of its releases, includes no mention of who the performers are, which is a serious omission for listeners who like to know who's playing what they're listening to, and a marketing faux-pas, because it doesn't direct the listener who is intrigued by one of the pieces to identify the release from which it was taken. For the listener who is looking simply for a collection of Romantic and post-Romantic orchestral music, that may not be an issue, though, because on that count, the album delivers just what it promises. This is an appealing collection of passionate, sweepingly romantic pieces. The performances by the unnamed conductors and orchestras are for the most part very...
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