Uses the concept of the poetic fragment to draw connections between romantic poetry and modern literature and literary theory.
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Uses the concept of the poetic fragment to draw connections between romantic poetry and modern literature and literary theory.
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Edition:
2005, State Univ of New York Pr
Hardcover,
Good
Details:
Publisher:
State Univ of New York Pr
Published:
2005
Language:
English
Alibris ID:
16544395096
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Seller's Description:
Good. SUNY hardcover no jacket. light wear on boards. clean text. Tulsa's best used bookstore. Located on South Mingo Road since 1991. No-hassle return policy if not completely satisfied.
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Edition:
2005, State University of New York Press
Hardcover,
New
Details:
ISBN:
0791464571
ISBN-13:
9780791464571
Pages:
204
Edition:
Annotated
Publisher:
State University of New York Press
Published:
2005
Language:
English
Alibris ID:
16963810205
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As New Condition-Over 750, 000 Internet Orders Shipped.
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Edition:
2005, State University of New York Press
Hardcover
Details:
ISBN:
0791464571
ISBN-13:
9780791464571
Pages:
204
Edition:
Annotated
Publisher:
State University of New York Press
Published:
2005
Language:
English
Alibris ID:
18114743385
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Seller's Description:
*Price HAS BEEN REDUCED by 10% until Monday, Nov. 25 (weekend sale item)* 204 pp., hardcover, new. -If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.
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Edition:
2006, State University of New York Press
Trade paperback,
Good
Details:
ISBN:
079146458X
ISBN-13:
9780791464588
Pages:
216
Publisher:
State University of New York Press
Published:
2006
Language:
English
Alibris ID:
18068452410
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Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book.
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2006,
State University of New York Press
ISBN-13: 9780791464588
Trade paperback
2005,
State University of New York Press, Albany, NY
ISBN-13: 9780791464571
Annotated
Hardcover
All Editions of Romantic Poetry and the Fragmentary Imperative: Schlegel, Byron, Joyce, Blanchot