The Russian Constructivist Aleksandr Rodchenko (1891-1936) cannot be categorized by any one of his remarkable activities. His prodigious career in photography, graphic design, industrial design, painting, stage set and theater design, fashion and costume design, and architecture is at last given its full recognition in this splendidly illustrated and exhaustive study of the complete range of his work.Rodchenko's artistic production is considered against the complex background of the political, social, personal, and artistic ...
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The Russian Constructivist Aleksandr Rodchenko (1891-1936) cannot be categorized by any one of his remarkable activities. His prodigious career in photography, graphic design, industrial design, painting, stage set and theater design, fashion and costume design, and architecture is at last given its full recognition in this splendidly illustrated and exhaustive study of the complete range of his work.Rodchenko's artistic production is considered against the complex background of the political, social, personal, and artistic circumstances of the period, from the beginning of his studies at the Art School of Kazan to his encounter with Mayakovsky and the Futurists, from the famous Moscow Exhibitions where Rodchenko took part in the founding phase of abstract art to the arguments with Kandinksy over cultural supremacy with the Institute of Artistic Culture (INCHUK) and the definitive embracing of Constructivism.Among the book's unusual contributions is the serious consideration given to Rodchenko's architectural projects and its generous treatment of unknown documents - newspaper reports, commentaries, debates, articles, letters - of the time. These give a lively sense of what was actually happening in Moscow art circles during the crucial formative years of the avant-garde movement.The visual material is particularly stunning. Five hundred illustrations, many in full color, are taken from Russian archives or from Rodchenko's private archive now owned by his nephew.The author, Selim Omarovich Khan-Magomedov is a Soviet architectural historian and critic who has achieved an enviable record of championing the rehabilitation of modern Soviet architecture from the 1920s. He almost single-handedly launched the bold campaign in 1962 to revive the historical legacy of Soviet modernism. Magomedov's studies of modern Soviet architecture, institutions, and personalities represent an impressive body of work in the face of formidable odds and official resistance and they are highly regarded in the West.
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Seller's Description:
Like New. Condition: Near Fine; Hardcover in dustjacket. First MIT Press edition. Condition is Near Fine in a Near Fine dustjacket. Book has clean covers and text, square spine and corners. Only flaw is having been read and a touch of dusting to top of text. Dustjacket is clean, bright and crisp. Price-clipped at bottom of front flap. Photos upon request.
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Seller's Description:
Rodchenko. Very good(+) in very good jacket. Illustrated in black and white with some in color. 303 pages. Square 4to, yellow cloth with black lettering, d.w. (spine a touch sunned and with small tears at head; minor paper damage on inner flap from removed sticker). Cambridge: MIT Press, (1987). First MIT Press edition. Very good(+) in a very good dust wrapper. Introducted and edited by Vieri Quilici.
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Seller's Description:
Used-Very Good. The Russian Constructivist Aleksandr Rodchenko (1891-1936) cannot be categorized by any one of his remarkable activities. His prodigious career in photography, graphic design, industrial design, painting, stage set and theater design, fashion and costume design, and architecture is at last given its full recognition in this splendidly illustrated and exhaustive study of the complete range of his work. Rodchenko's artistic production is considered against the complex background of the political, social, personal, and artistic circumstances of the period, from the beginning of his studies at the Art School of Kazan to his encounter with Mayakovsky and the Futurists, from the famous Moscow Exhibitions where Rodchenko took part in the founding phase of abstract art to the arguments with Kandinksy over cultural supremacy with the Institute of Artistic Culture (INCHUK) and the definitive embracing of Constructivism. Among the book's unusual contributions is the serious consideration given to Rodchenko's architectural projects and its generous treatment of unknown documents-newspaper reports, commentaries, debates, articles, letters-of the time. These give a lively sense of what was actually happening in Moscow art circles during the crucial formative years of the avant-garde movement. The visual material is particularly stunning. Five hundred illustrations, many in full color, are taken from Russian archives or from Rodchenko's private archive now owned by his nephew. The author, Selim Omarovich Khan-Magomedov is a Soviet architectural historian and critic who has achieved an enviable record of championing the rehabilitation of modern Soviet architecture from the 1920s. He almost single-handedly launched the bold campaign in 1962 to revive the historical legacy of Soviet modernism. Magomedov's studies of modern Soviet architecture, institutions, and personalities represent an impressive body of work in the face of formidable odds and official resistance and they are highly regarded in the West. Open copy, English text, wrapped in Brodart protector, light wear, clean pages with tigt binding.
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Seller's Description:
Near fine condition. Very good+ condition (DJ) Book. Oblong quarto (4to). 303 pages of text including an index. Hardcover binding with minimal shelfwear; about new condition. Unclipped dustjacket with minimal sunning to spine and minimal shelfwear; protected in archival mylar. Contains five hundred illustrations, many in color, taken from Russian archives or from a private archive now owned by Rodchenko's grandson.
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Seller's Description:
As New. 0262111160. *** FREE UPGRADE to Courier/Priority Shipping Upon Request ***-*** IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT-Flawless copy, brand new, pristine, never opened--303 pages with many illustrations in black and white. [Catalogue Raisonné, Catalogue Raisonne, Catalog Raisonnee, Complete Works]--with a bonus offer---May be EITHER: out of print (OOP) and extremely rare in this pristine condition; signed by author or contributor; or a first or special edition; (inquire for details)