An unconventional look at Robert Coover's work from his early masterpiece The Origin of the Brunists (1966) to the recent Noir (2010), Vanderhaeghe's study offers a self-reflexive investigation into the ways in which Coover's stories often challenge the reader to resist the conventions of sense-making and even literary criticism.
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An unconventional look at Robert Coover's work from his early masterpiece The Origin of the Brunists (1966) to the recent Noir (2010), Vanderhaeghe's study offers a self-reflexive investigation into the ways in which Coover's stories often challenge the reader to resist the conventions of sense-making and even literary criticism.
Read Less
