The category of light vocal music by German singers is not large, but this recording may be its historical high point. It was made in 1958, and part of its original Deutsche Grammophon liner notes are reproduced on the inside of the package. The claim of "rare, clear-as-a-bell beauty" for the voice of soprano Rita Streich is justifiable, and the various French and Italian selections are elegant -- you get an idea that the album represents a blast from the past when you notice that the packaging proclaims that the "immortal ...
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The category of light vocal music by German singers is not large, but this recording may be its historical high point. It was made in 1958, and part of its original Deutsche Grammophon liner notes are reproduced on the inside of the package. The claim of "rare, clear-as-a-bell beauty" for the voice of soprano Rita Streich is justifiable, and the various French and Italian selections are elegant -- you get an idea that the album represents a blast from the past when you notice that the packaging proclaims that the "immortal melodies" contained therein are sung "in Originalsprachen" or original languages. Saint-Saëns' Le rossignol et la rose, track 2, is an especially evocative bit of sheer vocal charm. The meat of the program, however, is in the light German-language pieces of Johann Strauss II. Here the variety of Streich's personality emerges, with lusty hum or coexisting side by side with endearing melancholy or artless beauty. The lack of texts is a problem for those who have no German, but this is...
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