One of a handful of great Shakespearean roles, the part of Richard of Gloucester has maintained its importance from the beginning of its performance history in the late 1690s and has assumed an identity extending even beyond the play. The range of interpretation has been startling, with many actors also taking liberties with the text. Most of the greatest Shakespearean actors have tried the part, though some have carefully avoided it. Successful Richards have had to create an archetype of evil who nonetheless must be ...
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One of a handful of great Shakespearean roles, the part of Richard of Gloucester has maintained its importance from the beginning of its performance history in the late 1690s and has assumed an identity extending even beyond the play. The range of interpretation has been startling, with many actors also taking liberties with the text. Most of the greatest Shakespearean actors have tried the part, though some have carefully avoided it. Successful Richards have had to create an archetype of evil who nonetheless must be comprehended in vivid human terms. Among the most memorable Richards are David Garrick, William Frederick Cooke, Edmund Kean, J.B. Booth, William Charles Macready, Edwin Booth, Richard Mansfield, Robert Mantell, John Barrymore, Alec Guiness, Laurence Olivier, Christopher Plummer, Ian Holm, Antony Sher, and Anton Lesser. This dynamic stage history of Richard III covers all major English and American interpretations and some foreign-language productions to the present day, setting the stage in the context of prevailing theatrical practices within each era. Focusing on the play and role as vehicles for actors and theatre practitioners, Richard's Himself Again demonstrates how theatrical issues have shaped the acting norm, which in turn has been reshaped by the individual performers. While utilizing volumes of source material including promptbooks, biographies, memoirs, and reviews, Scott Colley injects his own spirit into the narrative, achieving a lively, personable tone. The resulting book will appeal to theatregoers as well as to academic and professional specialists.
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Good. Ships from UK in 48 hours or less (usually same day). Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. 100% money back guarantee. We are a world class secondhand bookstore based in Hertfordshire, United Kingdom and specialize in high quality textbooks across an enormous variety of subjects. We aim to provide a vast range of textbooks, rare and collectible books at a great price. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions. We provide a 100% money back guarantee and are dedicated to providing our customers with the highest standards of service in the bookselling industry.
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Seller's Description:
Book. Octavo, 287 pages. In Very good condition. Brown spine with white lettering. Full binding in brown Cloth. Boards show mild shelf wear. Text bloc clean. Note: Shelved in Netdesk Column B, ND-B. 1374163. FP New Rockville Stock.
