This is the first monograph on the remarkable work of British artist Richard Woods (b.1966), one of a younger generation of artists whose sculptures and installations operate on the boundary between art, architecture and design. Whatever structures he takes as his starting point - the floor of a domestic house, the walls of a gallery, the courtyard of a convent or the external walls of a public building - they are all used as flat surfaces to be embellished with paint. A graduate of the Slade School of Fine Art, Woods has ...
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This is the first monograph on the remarkable work of British artist Richard Woods (b.1966), one of a younger generation of artists whose sculptures and installations operate on the boundary between art, architecture and design. Whatever structures he takes as his starting point - the floor of a domestic house, the walls of a gallery, the courtyard of a convent or the external walls of a public building - they are all used as flat surfaces to be embellished with paint. A graduate of the Slade School of Fine Art, Woods has shown extensively in Britain, continental Europe, Japan and the USA. Over the past five years, he has designed a spectacular store interior for the fashion house Comme des Garcons in Osaka and the mock Tudor refit of a private family home in upstate New York. The book focuses on the building-based projects completed since 2000, and many of these are further explored in extracts from an illuminating conversation between Woods and Gordon Burn.
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New. 0953852555. *** FREE UPGRADE to Courier/Priority Shipping Upon Request ***-*** IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT-Flawless copy, brand new, pristine, never opened--192 pp; 384 ills. --with a bonus offer--
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As New in Fine jacket. Folio-over 12-15" tall Fine and bright in a fine jacket-looks new. First Edition and printing. No wear or markings. Full color beautiful work.
