This 1957 Covent Garden Der Ring des Nibelungen led by Rudolf Kempe is a very fine, at times even great, cycle. The cast features the masterful Hans Hotter as Wotan, the heroic Wolfgang Windgassen as Siegfried, and the magnificent Birgit Nilsson as Brünnhilde. A favorite with London audiences and musicians, German conductor Kempe coaxes the best possible playing out of the orchestra, making the most out of the tetralogy's moments of high drama without letting the music lose tension in its extended passages of exposition. ...
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This 1957 Covent Garden Der Ring des Nibelungen led by Rudolf Kempe is a very fine, at times even great, cycle. The cast features the masterful Hans Hotter as Wotan, the heroic Wolfgang Windgassen as Siegfried, and the magnificent Birgit Nilsson as Brünnhilde. A favorite with London audiences and musicians, German conductor Kempe coaxes the best possible playing out of the orchestra, making the most out of the tetralogy's moments of high drama without letting the music lose tension in its extended passages of exposition. Taken on only its own merits, this Ring has much going for it. The end of Das Rheingold is tremendously thrilling; the big climaxes between Siegmund and Sieglinda in Act I of Die Walküre and between Siegfried and Brünnhilde in Act III of Siegfried are both amazingly exhilarating; the sense of momentum in the last two acts of Götterdämmerung is truly involving. Compared to the other great Rings of the '50s -- the 1950 and 1953 Furtwängler, the 1953 Krauss, and the 1956 Knappertsbusch...
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