Richard Artschwager writes: "To make art, artists are like thieves, watching for a door left open. At the beginning of the 1960s, I painted a chair on a chair. I painted a chest of drawers on a chest of drawers. A hopeless entanglement of painting and sculpture. Is that what I was looking for? Minimal Art, Pop art... artists learn from other artists but desperately want their art to be unique... But the categories happen. The sense that there is such a thing as sets is at least 50,000 years old. But in your time and when it ...
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Richard Artschwager writes: "To make art, artists are like thieves, watching for a door left open. At the beginning of the 1960s, I painted a chair on a chair. I painted a chest of drawers on a chest of drawers. A hopeless entanglement of painting and sculpture. Is that what I was looking for? Minimal Art, Pop art... artists learn from other artists but desperately want their art to be unique... But the categories happen. The sense that there is such a thing as sets is at least 50,000 years old. But in your time and when it comes to art, the encounter should be naked, naïve and free of prejudgment (such as classification). My originality, if any, lies in good part in paradoxes: useful/useless, object/image, etc." This volume is a comprehensive full-color documentation of the artist's paintings/sculptures/furniture.
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Publisher:
Corbett vs. Dempsey Modern Art & Uncommon Objects
Published:
2011
Alibris ID:
13792112715
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Seller's Description:
(ARTSCHWAGER, RICHARD). Oehlen, Albert & John Corbett. RICHARD ARTSCHWAGER: IN THE DRIVER'S SEAT. Chicago, IL: Corbett vs. Dempsey Modern Art & Uncommon Objects, 2011. First Edition. 8vo. Stapled Die-Cut Wrappers. Artist Monograph. As New. 28pp, 16 color illustrations. Designed by Kathi Beste. This is the slender yet elegant catalogue published in conjunction with a 2011 Richard Artschwager exhibition of recent oil pastel on paper drawings held at Chicago's Corbett vs. Dempsey Modern Art & Uncommon Objects entitled "In The Driver's Seat". A brand new, pristine example. Inventory Number: 022572.
Publisher:
Herbert F. Johnson Museum of Art, Cornell University
Published:
1998
Language:
English
Alibris ID:
16687210661
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Seller's Description:
Fine. Not ex-lib. Exhibition catalogue in wraps with Pyramid/Table/...to front, foldout rear wrap with "the blp" still intact, 4to. 48pp. As new: wraps, pages and plates clean and bright; binding strong and square.
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Seller's Description:
Fine. B0057XYXN0. Exhibition catalog. Black and white illustrations throughout. First edition (paperback). Fine in oversize illustrated wraps.; 45 pages.
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Seller's Description:
New. *** FREE UPGRADE to Courier/Priority Shipping Upon Request *** – – *** IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT-Flawless copy, brand new, pristine, never opened--116 pp. With 43 ills. (30 col. ). 31 x 25 cm. --with a bonus offer--
Publisher:
Herbert F. Johnson Museum of Art, Cornell University
Published:
1998
Alibris ID:
17967429261
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Seller's Description:
VG. Color-illustrated wraps with black lettering. 47 pp. BW illustrations. Published in conjunction with an exhibition at the Herbert F. Johnson Museum of Art, Ithaca, NY, Jan. 10-Mar. 15, 1998.
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Seller's Description:
VG-. Light wear to corners. Ex-library with usual marks. BW illustrated wraps, black lettering. 45 pp. 24 BW plates + additional illustrations. Catalogue of an exhibition held September 16-October 18, 2003. Contains a conversation between the artist and Carol Eckman.
Publisher:
Berlin: Galerie Franck and Schulte, 1992
Alibris ID:
12301560583
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Seller's Description:
Very good. Pbk 4to with French fold wraps, tiny closed tear to lower front cover and other small signs of shelfwear, illustrated throughout full-page color plates, internally an excellent clean tight unmarked text as new
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Seller's Description:
[Installation brochure]. 4to. [4 pp]. Single, stiff color pictorial sheet, folded into halves. Very good with marginal soiling and creasing along back wrap. 1 color plate. Installation sponsored by the Public Art Fund, Inc. Brochure of an installation held at the Doris C. Freeman Plaza in New York from December 21, 1987 through May 21, 1988. Scarce. From the Collection of the Art Historian Peter Selz.
![Richard Artschwager: Counter III [Installation Brochure].](https://www3.alibris-static.com/imageid/2043290684_t.jpg)
