Reiko Oya explores theatrical expressions of Shakespearean tragedy in Georgian London and the relations between the representative players of the time - David Garrick, John Philip Kemble and his sister Sarah Siddons, and Edmund Kean - and their close circle of friends. The book begins by analysing the tragic emotion that Garrick conveyed through his performance of King Lear, and the responses to it from such critics as Samuel Johnson and Elizabeth Montagu. The second chapter examines the concept of sublimity in Kemble and ...
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Reiko Oya explores theatrical expressions of Shakespearean tragedy in Georgian London and the relations between the representative players of the time - David Garrick, John Philip Kemble and his sister Sarah Siddons, and Edmund Kean - and their close circle of friends. The book begins by analysing the tragic emotion that Garrick conveyed through his performance of King Lear, and the responses to it from such critics as Samuel Johnson and Elizabeth Montagu. The second chapter examines the concept of sublimity in Kemble and Siddons' interpretations of Macbeth. The final chapter studies the disparity between the literary and the theatrical Hamlet in Kean's impersonation and William Hazlitt's response to it. With subjects ranging from Shakespearean promptbooks to paintings and the poetics of Romanticism, the book offers great insights into the exchange of ideas and inspirations among the cultural luminaries who surrounded the London stage.
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Add this copy of Representing Shakespearean Tragedy: Garrick, the to cart. $42.44, new condition, Sold by Booksplease rated 3.0 out of 5 stars, ships from Southport, MERSEYSIDE, UNITED KINGDOM, published 2011 by Cambridge University Press.
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Add this copy of Representing Shakespearean Tragedy: Garrick, the to cart. $76.67, good condition, Sold by Bonita rated 4.0 out of 5 stars, ships from Newport Coast, CA, UNITED STATES, published 2011 by Cambridge University Press.