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Seller's Description:
Very Good in Good jacket. -Board covers a little marked w/ spine ends and corners lightly bumped-Edges of text block toned and stained w/ top edge heavily foxed-Dustwrapper marked w/ edges, spine ends and corners creased, chipped and torn in numerous places-Book ow/ solid, clean and tight-207 pages. 8vo. In Good Dustwrapper.
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Seller's Description:
This is an ex-library book and may have the usual library/used-book markings inside. This book has hardback covers. Book contains pencil markings In fair condition, suitable as a study copy. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item, 600grams, ISBN: 0674759907.
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Seller's Description:
Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority!
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Seller's Description:
Fair. Item in acceptable condition including possible liquid damage. As well answers may be filled in. May be missing DVDs, CDs, Access code, etc. 100%Money-Back Guarantee! Ship within 24 hours! ! This is a ex library book, stickers and markings accordingly.
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Seller's Description:
VG/VG (Ex-library with stamps and labels on spine, inside front and rear covers, ffep and block. ) Black cloth boards with silver lettering; black dj with pink and blue lettering, mylar cover; ix, 207 pp; music. The author details the revisionary strategies of twentieth century composers--how they transformed the music of the tonal tradition in creating their radically new sonorities and structures. He defines a mainstream of musical modernism, a mainstream shaped by the aggressive reinterpretation of eighteenth-and nineteenth-century models. Includes bibliographical references (pages 187-204) and index.
