Two fascinating essays reveal how art historians and conservators do their sleuthing. Laurence Kantor explores the attribution of three of his panels that had been at Yale but belong to a triptych at the Getty.
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Two fascinating essays reveal how art historians and conservators do their sleuthing. Laurence Kantor explores the attribution of three of his panels that had been at Yale but belong to a triptych at the Getty.
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Seller's Description:
VG (Wraps may show mild foxing and shelfwear; pages are clean and bright. ) Glossy black illus. wraps with white lettering; French flaps; 58 pp. with 3 color plates and 26 numbered figures in color and bw. Includes and introduction about the project, by Jock Reynolds, an essay of "An Annunciation by Fra Angelico" and one of "Carpentry and Connoisseurship: The Disassembly of Altarpieces and the Rise in Interest in Early Italian Art"; with descriptions of each work shown.
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Seller's Description:
Like New. First Edition, First Printing. Published by Yale University, 2001. Quarto. Pictorial wraps with flaps. Book is like new; clean with no writing or names. Sharp corners and spine straight. Binding tight and pages crisp. 58 pages. ISBN: 0894679503. 100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions or if you would like a photo. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Southampton, New York. We Buy Books! Individual titles, libraries, collections. Message us if you have books to sell!
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New. 0894679508. *** FREE UPGRADE to Courier/Priority Shipping Upon Request ***-*** IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT-FLAWLESS COPY-AVAILABLE IMMEDIATELY, WHY WAIT? --60 pp., 26 black-and-white and color illus. -Catalogue for the exhibition, organized by Clay Dean, presented at the Yale University Art Gallery (September 28-December 30, 2001), with essays by Laurence B. Kanter and Carl Brandon Strehlke. This catalogue examines the Renaissance artist in light of a triptych that had been separated for centuries. Two scholarly essays complement the color figures: Kanter, a curator at the Metropolitan Museum of Art, first made the connection between panels from the collections of the Yale University Art Gallery and The J. Paul Getty Museum. Strehlke, a curator at the Philadelphia Museum of Art, explains how issues of taste and connoisseurship may account for the panels' separation. --with a bonus offer--
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Seller's Description:
New. 0894679503. *** FREE UPGRADE to Courier/Priority Shipping Upon Request *** – – *** IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT-Flawless copy, brand new, pristine, never opened--66 pp. With 35 ills. (15 col. ). 26 x 20 cm. --with a bonus offer--