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Seller's Description:
Very good in very good dust jacket. First Edition. Wayne State University Press: Detroit, 1978. Hardcover. First edition. Bound in navy cloth with silver gilt titles. Clean internally: a tight, bright copy with sound binding. Profuse with B&W images. In a very good dust jacket. See image. ALL ITEMS ARE SENT BY ROYAL MAIL.
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Seller's Description:
Good with no dust jacket. 0814315755. Ex-library with usual marks, otherwise text clean and solid; missing dust jacket; signed by the author; Ex-Library; 8vo 8"-9" tall; 176 pages.
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Seller's Description:
Very Good in Good jacket. Size: 9x8x0; Clean Inside. Gift Inscription At The Front End Paper. 174 Pages With The Index. Hardcover In Very Good Condition. In A Good Dust Jacket, The Jacket Has Small Tears. Not Price Clipped. based on your address. -We can ship from USA and Canada. Specializing in academic, collectible and historically significant, providing the utmost quality and customer service satisfaction. For any questions feel free to email us.
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Seller's Description:
Founders Society Detroit Institute of Arts by Wayne State University Press, 1978, 8-3/4"x9-1/4", cloth, 174pp., many photos., ex-lib. -spine label, pocket, stamps, G+ $
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Seller's Description:
Photos. Good in Good jacket. Book. 8vo-over 7¾"-9¾" tall. This book would be rated very good but someone removed the front free end paper. (probably had their name on it). Contents are otherwise tight and clean. 174pp. including index. A digital photo can be made available.
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Seller's Description:
VG/G+ (book has inscription of previous owner on inside cover, all pages clear and intact-dust jacket shows shelf wear at edges and corners, two small tears, still protective) Blue cloth boards with silver gilt spine lettering, gray and blue illustrated dust jacket with white and blue lettering on cover and spine, 174 pp., bw illustrations throughout. "In Quebec and Related Silver at The Detroit Institute of Arts, a catalogue of pieces from the Institute collection, virtually the entire history of silverscarfting in Quebec can be traced. The reader is introduced to the work of many master silversmiths, nineteen of them known, others still anonymous. The biographies which Fox provides are the result of intensive research in the archives of churches, museums, and other depositories. Often he has discovered information about the lives of these men which has not been known until now. In his introductory essay, Fox explains why silver was of major importance in Quebec society and then traces the stylistic development of the art up to the late nineteenth century. Each piece in the catalogue is described in detail, with particular emphasis on construction. The metallic composition of the objects has been closely analyzed in order to detect modern repairs, replacements, or outright forgeries. This elemental analysis, carried out at te Henry Francis du Pont Winterthur Museum, represents a pioneering effort and will be of intense interest to collectors and scholars. Forty-eight pieces are covered in the catalogue and for comparative purposes or detail sixty-two figures are shown. The catalogue contains an extensive bibliography, a glossary, appendixes, and an index."-dust jacket description.
