The papers collected in this book provide many new observations about the artistic interrelationship between Italy and the cities of the Dalmatian coast during the fifteenth century, with special attention given to the influence on both sides of the Adriatic of the styles of Donatello in sculpture, Squarcione in painting, and Alberti in architecture. Essays are devoted to fifteenth-century painting in Dalmatia and its ties to the opposite shore; to the centrality of Padua in diffusing artistic ideas throughout the Adriatic ...
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The papers collected in this book provide many new observations about the artistic interrelationship between Italy and the cities of the Dalmatian coast during the fifteenth century, with special attention given to the influence on both sides of the Adriatic of the styles of Donatello in sculpture, Squarcione in painting, and Alberti in architecture. Essays are devoted to fifteenth-century painting in Dalmatia and its ties to the opposite shore; to the centrality of Padua in diffusing artistic ideas throughout the Adriatic; to Venetian sovereignty over Dalmatia; to Renaissance villas on the Dalmatian coast; to the architectural activity of Michelozzo and his shop in Dubrovnik; to the Chapel of the Planets in the Tempio Malatestiano at Rimini; to the Chapel of the Blessed Giovanni Orsini at Trogir; to Niccol di Giovanni Fiorentino's work in Dalmatia; to Giovanni Dalmata's work in Italy; and to humanist poetic inscriptions devised for statues in Dubrovnik by Lorenzo Guidetti. The contract between the Opera of the Cathedral at Trogir and the stonecutters Niccol di Giovanni Fiorentino and Adrea Alessi is transcribed in an Appendix. Contributors: Josko Belamari (Regional Institute for the Protection of Cultural Monuments, Split), Francesco Caglioti (University of Pisa), Adrea De Marchi (Soprintendenza delle Belle Arti di Pisa), Janez Hfler (University of Ljubljana), Stanko Kokole (The Johns Hopkins University), Reinhold Mueller (University of Venice), Kruno Prijatelj (Croatian Academy of Arts and Sciences), Anne Markham Schulz (Brown University), Samo Stefanac (University of Ljubljana), Johannes Roll (The Humboldt University).
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Good. Connecting readers with great books since 1972. Used books may not include companion materials, some shelf wear, may contain highlighting/notes, and may not include cd-rom or access codes. Customer service is our top priority!
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Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!
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VG/VG. Pale gray cloth boards with blue lettering on spine, pink dust jacket with gilt lettering and design, 230 pp plus 27 unnumbered leaves of plates, bw illustrations. Text in English, French, and Italian. Contents include: La pittura in Dalmazia nel Quattrocento e i suio legami coll'altra sponda by Kruno Prijatelj--Aspects of Venetian sovereignty in Medieval and Renaissance Dalmatia by Reihnold C. Mueller--Centralità di Padova by Andrea De Marchi--Florentine masters in early Renaissance Dubrovnik by Janez Höfler--Renaissance villas on the Dalmatian coast by Josko Belamaric--Niccolò di Giovanni Fiorentino e la Cappella del Beato Giovanni Orsini a Traù by Samo Stefanac--Further thoughts on Niccolò di Giovanni Fiorentino in Dalmatia and Italy by Anne Markham Schulz--"Magister Johannes Stefani de Treuni de Almatia" by Johannes Röll--"Cognitio formanum" and Agostino di Duccio's reliefs for the Chapel of the Planets in the Tempio malatestiano by Stanko Kokole--Un giovane retore fiorentino a Ragusa e i suoi "tituli" per immagini: Lorenzo Guidetti by Francesco Caglioti.
