Begun in the winter of 1955 and completed in the spring of 1956, Treatise on Poetry is a brilliant meditative poem fully expressive of the powers that have made Milosz one of our greatest writers. Expertly translated, the poem is divided into four parts -- Europe at the turn of the century, the condition of Polish culture between the two world wars, the harsh reality of World War II, and the role of the poet in the postwar world. Here Milosz addresses the failure of early-20th-century Polish poetry. With vast historical ...
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Begun in the winter of 1955 and completed in the spring of 1956, Treatise on Poetry is a brilliant meditative poem fully expressive of the powers that have made Milosz one of our greatest writers. Expertly translated, the poem is divided into four parts -- Europe at the turn of the century, the condition of Polish culture between the two world wars, the harsh reality of World War II, and the role of the poet in the postwar world. Here Milosz addresses the failure of early-20th-century Polish poetry. With vast historical sweep and in language that enables readers to see "as if in a flash of summer lighting", Milosz offers a fascinating account of the mysterious art of poetry.
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Seller's Description:
New York. 1991. Ecco Press. 1st American Edition. Very Good in Dustjacket. 0880013176. Translated from the Polish by The Author & Robert Hass. 72 pages. hardcover. Back cover photo Dennis Wile. keywords: Poetry Translated Eastern Europe Poland Literature. FROM THE PUBLISHER-In PROVINCES, his first book of poetry since THE COLLECTED POEMS (1988), Nobel Prizewinner Czeslaw Milosz, with characteristic vigor and clear-sightedness, continues his investigations into the themes that have absorbed his work from the beginning-most importantly, the struggle to give expression and meaning to the seeming incomprehensibility of our experience. Milosz, from the perspective of his mature years, meditates on youth and mortality and the redemptive powers of language and imagination in poems that pulse and shimmer with the elemental-fire, earth, ocean, wind, and clouds-and that are populated with biblical characters, writers, artists, and scientists. He renews and deepens his poetic explorations as he journeys across the borders that hazily delineate past and present, sensual and philosophical, contemporary and classical, visiting monuments to posterity-libraries and museums-as well as fleeting, though no less consequential, moments from his earlier years. With a prodigious summoning of resources, he writes with the vitality of a man coming to terms with his own life, whose meaningful existence depends on the ability to find solace in compassion and beauty, to allow memory to bridge the barriers of time, and to account for the inherent deficiencies of philosophy and our too-human gods. With his trademark clarity and intensity, Milosz examines, challenges, and often rejects religious and artistic consolation until finally it is only the poetic voice itself that is capable of reconciling ‘the inborn and the perpetual desire. for a God-like domain' with that which ‘lurks in the very brushwood of existence. steel-gray nothingness. ' At an age when most poets have left their major work behind them, Milosz vigorously continues to break new ground. Perhaps it is the nature of his theme-what it means, finally, to be human-that makes age and experience so durable and enabling a muse, and Provinces his finest book to date. inventory #15780.