The first goal of the Tamarind Lithography Workshop, founded in Los Angeles in 1960, was to "create a pool of master artisan-printers in the United States" to revive the medium of fine art lithography. With essays by both established print scholars and new voices, this lavishly illustrated volume introduces the printmaking pioneers who nurtured an environment suitable for the founding of the country's most significant print shop and addresses the spectacular spread of printmaking from its modern beginnings in Southern ...
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The first goal of the Tamarind Lithography Workshop, founded in Los Angeles in 1960, was to "create a pool of master artisan-printers in the United States" to revive the medium of fine art lithography. With essays by both established print scholars and new voices, this lavishly illustrated volume introduces the printmaking pioneers who nurtured an environment suitable for the founding of the country's most significant print shop and addresses the spectacular spread of printmaking from its modern beginnings in Southern California within the larger narrative of postwar American art. Drawing mainly on the extensive print collection of the Norton Simon Museum, the book includes works by the local founders of the movement such as John Altoon, Garo Antreasian, Richard Diebenkorn, Sam Francis, Ed Moses, Ken Price, Ed Ruscha, and June Wayne as well as by artists who traveled west to print in Los Angeles such as Joseph Albers, Bruce Conner, Lee Mullican, Louise Nevelson, Claes Oldenburg, and Robert Rauschenberg. An accompanying exhibition, part of the Pacific Standard Time initiative, will be on view at the Norton Simon Museum in Pasadena from October 1, 2011, through April 3, 2012.
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Add this copy of Proof the Rise of Printmaking in Southern California to cart. $56.82, new condition, Sold by Books2anywhere rated 5.0 out of 5 stars, ships from Fairford, GLOUCESTERSHIRE, UNITED KINGDOM, published 2011 by Getty Trust Publications.
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PLEASE NOTE, WE DO NOT SHIP TO DENMARK. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Please note we cannot offer an expedited shipping service from the UK.
Add this copy of Proof: The Rise of Printmaking in Southern California to cart. $55.42, new condition, Sold by Ria Christie Books rated 4.0 out of 5 stars, ships from Uxbridge, MIDDLESEX, UNITED KINGDOM, published 2011 by J. Paul Getty Museum.
Add this copy of Proof-the Rise of Printmaking in Southern California to cart. $100.02, new condition, Sold by Kennys.ie rated 4.0 out of 5 stars, ships from Galway, IRELAND, published 2011 by J. Paul Getty Museum.
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New. 2011. Hardcover. By tracing the local printmaking communities, the academic establishment, as well as the significant influence of workshops like Gemini G E L and Cirrus Editions, the catalogue addresses the spectacular spread of printmaking from its modern beginnings in Southern California within the larger narrative of post-war American art. Num Pages: 256 pages, 200 full-colour illustrations. BIC Classification: 1KBBWF; AFH. Category: (G) General (US: Trade). Dimension: 247 x 293 x 28. Weight in Grams: 1788......We ship daily from our Bookshop.
Add this copy of Proof: The Rise of Printmaking in Southern California to cart. $71.82, new condition, Sold by Booksplease rated 3.0 out of 5 stars, ships from Southport, MERSEYSIDE, UNITED KINGDOM, published 2011 by J. Paul Getty Museum.
Add this copy of Proof the Rise of Printmaking in Southern California to cart. $60.39, new condition, Sold by Paperbackshop International rated 2.0 out of 5 stars, ships from Fairford, GLOS, UNITED KINGDOM, published 2011 by Getty Trust Publications.
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PLEASE NOTE, WE DO NOT SHIP TO DENMARK. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Please note we cannot offer an expedited shipping service from the UK.
Add this copy of Proof the Rise of Printmaking in Southern California to cart. $81.96, new condition, Sold by Paperbackshop rated 4.0 out of 5 stars, ships from Bensenville, IL, UNITED STATES, published 2011 by Getty Trust Publications.
Add this copy of Proof: the Rise of Printmaking in Southern California to cart. $86.33, good condition, Sold by Bonita rated 4.0 out of 5 stars, ships from Newport Coast, CA, UNITED STATES, published 2011 by J. Paul Getty Museum.
Add this copy of Proof: the Rise of Printmaking in Southern California to cart. $127.42, new condition, Sold by Just one more Chapter rated 4.0 out of 5 stars, ships from Miramar, FL, UNITED STATES, published 2011 by J. Paul Getty Museum.
Add this copy of Proof: the Rise of Printmaking in Southern California to cart. $134.76, new condition, Sold by Bonita rated 4.0 out of 5 stars, ships from Newport Coast, CA, UNITED STATES, published 2011 by J. Paul Getty Museum.
Add this copy of Proof: the Rise of Printmaking in Southern California to cart. $2,477.00, new condition, Sold by BWS Bks, ships from Ferndale, NY, UNITED STATES, published 2011 by Museum Publications.
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New. 1606060937. *** FREE UPGRADE to Courier/Priority Shipping Upon Request ***-*** IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT-Flawless copy, brand new, pristine, never opened--256 pages; 200 color illustrations. Description: "Extensively illustrated and with essays by both established print scholars and new voices, this volume introduces the printmaking pioneers who nurtured an environment suitable for the founding of the country's most significant print shop and addresses the spectacular spread of printmaking from its modern beginnings in Southern California within the larger narrative of postwar American art. In the 1950s, the print world in Los Angeles was small but active. It was made of artists, educators, collectors, and curators whose collaboration led to the triumphant founding of the Tamarind Lithography Workshop led by June Wayne in 1960. The first goal of the workshop was to “create a pool of master artisan-printers in the United States” to revive the medium of fine art lithography. The story goes on to include two other major workshops—Gemini G. E. L. And Cirrus Editions—plus artists working independently and the academic printmaking community. Drawing mainly on the extensive print collection of the Norton Simon Museum, the book includes works by the local founders of the movement such as John Altoon, Garo Antreasian, Richard Diebenkorn, Sam Francis, Ed Moses, Ken Price, Ed Ruscha, and June Wayne as well as by artists who traveled west to print in Los Angeles such as Joseph Albers, Bruce Conner, Lee Mullican, Louise Nevelson, Claes Oldenburg, and Robert Rauschenberg."--with a bonus offer--
