Influenced by Clark Terry and endorsed by Max Roach, trumpeter McGaha utilizes a simplified approach to his improvisations, and delves into many basic aspects of American music, not the least of which are bop, blues, ballads, standards, spiritual, and soulful elements. He has employed a quartet of up-and-comers, including pianist Lori Meecham, bassist Roger Spencer, and drummer Chris Brown. McGaha shines most brightly on ballads, and when he takes his time and builds solos, his patience pays off. Most alluring in this 13 ...
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Influenced by Clark Terry and endorsed by Max Roach, trumpeter McGaha utilizes a simplified approach to his improvisations, and delves into many basic aspects of American music, not the least of which are bop, blues, ballads, standards, spiritual, and soulful elements. He has employed a quartet of up-and-comers, including pianist Lori Meecham, bassist Roger Spencer, and drummer Chris Brown. McGaha shines most brightly on ballads, and when he takes his time and builds solos, his patience pays off. Most alluring in this 13-song set list is "When I Fall in Love," or his original "Fruit of the Spirit." His soul-jazz inclinations are well served on the Bobby Timmons classic "This Here," replete with a piano-drum kit workout. As far as swing, he lays down the horn and scat sings on "This Little Light of Mine." Meecham's spatial McCoy Tyner-esque take on "In a Sentimental Mood" is quite reminiscent of Tyner and John Coltrane's modal classic "Wise One," while the New Orleans blues-funk number "Cookout," showcasing McGaha's muted wah-wah outcries, has shadings of Nat Adderley's "Work Song." A drunken, slow, bluesy title track, and the 12-bar "Joy Unspeakable," both again from McGaha's pen, provides a deep root strata. The most inventive piece is the modified melody of a cut-and-pasted "Lover" that goes back and forth from Kurt Weill-cum-Carla Bley wacked, to hard bop smokin'. The final selection, "Is Your All on the Altar," with church organ from Marc Harris, gives props to the one, a theme present throughout this recording. McGaha's sound is in a period of maturation, and future refinements will likely produce a truly new and original voice on the most difficult of all jazz instruments. ~ Michael G. Nastos, Rovi
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