While much attention has been given to the connection between modern art and primitive African forms, the impact of ancient American sources on the work of modern artists has been left largely unexplored. For example, Henry Moore's Reclining Figure, in a dozen variations, adorns museum galleries, corporate headquarters, and public malls around the world, yet how many people are aware that its acknowledged source is the Toltec-Maya chacmool, a Mesoamerican temple guardian and repository of sacrificial offerings? Or that ...
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While much attention has been given to the connection between modern art and primitive African forms, the impact of ancient American sources on the work of modern artists has been left largely unexplored. For example, Henry Moore's Reclining Figure, in a dozen variations, adorns museum galleries, corporate headquarters, and public malls around the world, yet how many people are aware that its acknowledged source is the Toltec-Maya chacmool, a Mesoamerican temple guardian and repository of sacrificial offerings? Or that Frank Lloyd Wright, America's premier modern architect, learned as much about structural design and ornamentation from a close study of Maya temples and Mixtec palaces as he did from Japanese structures? Author Barbara Braun explores these connections and more in this fascinating, in-depth study of five seminal modern artists and the Pre-Columbian forms that provided inspiration for their work. In addition to the Moore and Wright comparisons, Braun examines the ceramics of Paul Gauguin and their debt to ancient Peruvian plastic and pictorial formulas; the revolutionary murals of Diego Rivera and their ideological and visual relation to Aztec imagery; as well as the Constructivist paintings of Joaquin Torres-Garcia and their connection to ancient Peruvian textiles, ceramics, and architecture. Braun begins her discussion with a summary of the introduction and reception of Pre-Columbian images and artifacts in Europe and the United States from the sixteenth century forward, and she closes with a look at how the work of more recent artists, such as Color Field painter Alfred Jensen, Minimalist sculptor Tony Smith, earth artist Robert Smithson, and ceramists Kenneth Price andDavid Gilhooly, continues to be indebted to ancient American forms and ideas. Visual confirmation of these connections is given in more than 300 striking illustrations, 97 of them in color. An illustrated time chart and historical map provide the reader with easy reference points
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Seller's Description:
As New in As New jacket. 4to-over 9¾-12" tall. pp. 340. New book, still in publisher's shrink-wrap. Heavily illustrated (including plates in full colour). The author explores the influence of ancient American art on the work of 20th century modernists, including Henry Moore, Frank Lloyd Wright, Gaugine, Diego Rivera and Joaquin Torres-Garcia. A fascinating, in-depth study of these five seminal modern artists and the Pre-Columbian forms that provided inspiration for their work. This is an extremely heavy book and extra postage will be required, especially outside the UK.
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Very Good. Very Good condition. Very Good dust jacket. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp. Bundled media such as CDs, DVDs, floppy disks or access codes may not be included. NOT AVAILABLE FOR SHIPMENT OUTSIDE OF THE UNITED STATES.
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Very Good. A trade paperback in excellent condition, clean with a tight binding and an unmarked text. From a private smoke free collection. Shipping within 24 hours, with a tracking number and delivery confirmation.
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New. 0810937239. *** FREE UPGRADE to Courier/Priority Shipping Upon Request *** – – *** IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT-Flawless copy, brand new, pristine, never opened--340 pp. With 320 ills. (98 col. ). 31 x 24 cm. --with a bonus offer--
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