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Praetorius - Balthasar-Neumann-Ensemble; Balthasar-Neumann-Chor (choir, chorus); Balthasar-Neumann-Ensemble; Pablo Heras-Casado (conductor)
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  1. Magnificat quarti toni, motet for 8 voices (Magnificat octo tonorum 1602)
  2. Quam pulchra es, motet for 8 voices (Cantiones variae)
  3. Indica Mihi, a 6
  4. Surge propera amica mea, motet for 8 voices (Cantiones sacrae 1599)
  5. Magnificat per omnes versus super ut re mi fa sol la
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  1. Magnificat quarti toni, motet for 8 voices (Magnificat octo tonorum 1602)
  2. Quam pulchra es, motet for 8 voices (Cantiones variae)
  3. Indica Mihi, a 6
  4. Surge propera amica mea, motet for 8 voices (Cantiones sacrae 1599)
  5. Magnificat per omnes versus super ut re mi fa sol la
  6. Quam Pulchra es, a 5
  7. Vulnerasti cor meum, motet for 5 voices (Cantiones novae officiosae)
  8. Nigra sum et formosa, motet
  9. Tota pulchra es, motet for 12 voices (Cantiones variae)
  10. Veni in Hortum Meum a 8
  11. O quam pulchra es, motet for 6 voices (Cantiones novae officiosae)
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Only two of the three composers named Praetorius on this Archiv release are related; Jacob was the son of Hieronymus, while Michael, known mostly for his small dances, was from a different family. But all the music was written between the very end of the 16th century and the beginning of the 17th, and it is more or less consistent in style. The real appeal of the program is its thematic consistency: although there are a couple of large Magnificat settings, most of the rest is devoted to motets on passages from the Song of ...

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Praetorius 2015, Archiv Produktion

UPC: 028947945222

CD