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Seller's Description:
Very Good. Very Good condition. Very Good dust jacket. In protective mylar cover. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp. Bundled media such as CDs, DVDs, floppy disks or access codes may not be included. NOT AVAILABLE FOR SHIPMENT OUTSIDE OF THE UNITED STATES.
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Seller's Description:
First edition. Large folio softcover 12 1/8" tall x 9 1/8" wide. 366 pages. Published as an exhibition catalogue-exhibition was held at the Kimbell Art Museum Fort Worth in 1988. Clean. Tightly bound. Like new condition.
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Seller's Description:
As New. 0318418304. *** FREE UPGRADE to Courier/Priority Shipping Upon Request ***-*** IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT-FLAWLESS COPY-AVAILABLE IMMEDIATELY, WHY WAIT? --368 pages-Publishers Weekly: Father of classical French painting Nicholas Poussin went to Rome as a 30-year-old struggling artist in 1624. The years he spent there yielded an amazing variety of works, from naturalistic tree studies to sweet, Raphael-esque oils and monumental dramas bursting with the emotions of figures from myth and history. Bringing to light a feast of splendors, this volume by the director of the Albertina in Vienna shatters our preconceived notions of Poussin's art. With easy grace, Poussin captured the mobility of water, the play of light and shadow, as well as the impishness of cherubs reaching for butterflies. In Rome he discovered the rules of perspective, then broke them as he saw fit. His fiery Self-Portrait in red chalk marks a turning point, when Poussin realized that his destiny was not to be a grand decorator for princes or for the Church. [Catalogue Raisonné, Catalogue Raisonne, Catalog Raisonnee, Complete Works]--with a bonus offer--May be either: out of print (OOP) and extremely rare in this pristine condition; signed by author or contributor; or a first or special edition.