Nicolas Poussin, perhaps the most famous French painter of the seventeenth century, lived and worked for many years in Rome. Yet he remained deeply engaged with cultural and political transformations occurring in France, argues Todd R Olson in this original exploration of Poussin's paintings, their production, and their reception. Poussin's references to ancient literature and sculpture addressed a political elite -- the Robe nobility -- whose humanist education in classical antiquity equipped them to relate Greek and Roman ...
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Nicolas Poussin, perhaps the most famous French painter of the seventeenth century, lived and worked for many years in Rome. Yet he remained deeply engaged with cultural and political transformations occurring in France, argues Todd R Olson in this original exploration of Poussin's paintings, their production, and their reception. Poussin's references to ancient literature and sculpture addressed a political elite -- the Robe nobility -- whose humanist education in classical antiquity equipped them to relate Greek and Roman history to contemporary events and to deploy ancient precedents in legalistic and political arguments. When the French civil war known as the Fronde erupted in the middle of the seventeenth century, the paintings that Poussin exported to France responded directly in both subject and style to the crisis in monarchical authority and the disenfranchisement of his Robe patrons. Olson demonstrates that Poussin's association with a disgraced political group, his loss of official support, and his exile in Italy imbued his history paintings with a symbolic weight. The painter's audience considered the hardearned pleasures of his restrained, difficult pictorial style a benchmark of integrity as well as a criticism of the Regency's indiscriminate collecting practices and taste for foreign luxury. Poussin transformed the easel painting -- its making and collection -- into an expression of cultural and political commitments binding a community. Olson's fresh insights reveal the importance of this painter's work to a learned and powerful French constituency at a critical moment in French history and demonstrate that Poussin's famously timeless style was far more responsive tohistorical contingencies than has been previously recognized.
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Add this copy of Poussin & France – Painting, Humanism & the Politics of to cart. $41.22, good condition, Sold by Anybook rated 5.0 out of 5 stars, ships from Lincoln, UNITED KINGDOM, published 2002 by Yale University Press.
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Seller's Description:
This is an ex-library book and may have the usual library/used-book markings inside. This book has hardback covers. In good all round condition. Dust jacket in good condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item, 1550grams, ISBN: 9780300093384.
Add this copy of Poussin and France: Painting, Humanism, and the to cart. $37.00, like new condition, Sold by Argosy Book Store rated 5.0 out of 5 stars, ships from New York, NY, UNITED STATES, published 2002 by Yale University Press.
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Poussin, Nicolas. Fine in very good(+) jacket. Illustrated in color and black & white. 316. Wide 4to, black boards, d.w. (edge worn on spine). New Haven: Yale University Press, (2002). A fine copy in a very good(+) dust wrapper.
Add this copy of Poussin and France: Painting, Humanism, and the to cart. $42.00, very good condition, Sold by Powell's Books Chicago rated 5.0 out of 5 stars, ships from Chicago, IL, UNITED STATES, published 2002 by Yale University Press.
Add this copy of Poussin and France: Painting, Humanism, and the to cart. $14.82, good condition, Sold by Zoom Books East rated 4.0 out of 5 stars, ships from Glendale Heights, IL, UNITED STATES, published 2002 by Yale University Press.
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Book is in good condition and may include underlining highlighting and minimal wear. The book can also include From the library of labels. May not contain miscellaneous items toys dvds etc. We offer 100% money back guarantee and 24 7 customer service.
Add this copy of Poussin and France: Painting, Humanism, and the to cart. $31.00, very good condition, Sold by Ed's Editions, LLC rated 4.0 out of 5 stars, ships from Columbia, SC, UNITED STATES, published 2002 by Yale University Press.
Add this copy of Poussin and France: Painting, Humanism, and the to cart. $32.00, very good condition, Sold by Hennessey + Ingalls rated 4.0 out of 5 stars, ships from Los Angeles, CA, UNITED STATES, published 2002 by Yale University Press.
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Used-Very Good. Nicolas Poussin, perhaps the most famous French painter of the seventeenth century, lived and worked for many years in Rome. Yet he remained deeply engaged with cultural and political transformations occurring in France, argues Todd R Olson in this original exploration of Poussin's paintings, their production, and their reception. Poussin's references to ancient literature and sculpture addressed a political elite--the Robe nobility--whose humanist education in classical antiquity equipped them to relate Greek and Roman history to contemporary events and to deploy ancient precedents in legalistic and political arguments. When the French civil war known as the Fronde erupted in the middle of the seventeenth century, the paintings that Poussin exported to France responded directly in both subject and style to the crisis in monarchical authority and the disenfranchisement of his Robe patrons. Olson demonstrates that Poussin's association with a disgraced political group, his loss of official support, and his exile in Italy imbued his history paintings with a symbolic weight. The painter's audience considered the hardearned pleasures of his restrained, difficult pictorial style a benchmark of integrity as well as a criticism of the Regency's indiscriminate collecting practices and taste for foreign luxury. Poussin transformed the easel painting--its making and collection--into an expression of cultural and political commitments binding a community. Olson's fresh insights reveal the importance of this painter's work to a learned and powerful French constituency at a critical moment in French history and demonstrate that Poussin's famously timeless style was far more responsive tohistorical contingencies than has been previously recognized. Very nice clean, tight copy free of any marks. Wrapped in complimentary Brodart dust jacket protector.
Add this copy of Poussin and France: Painting, Humanism, and the to cart. $43.75, very good condition, Sold by Mullen Books, Inc. ABAA / ILAB rated 4.0 out of 5 stars, ships from Marietta, PA, UNITED STATES, published 2002 by Yale University Press.
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VG (Boards show shelf/edgewear; DJ shows mild foxing and edgewear; pages are clean and bright; binding is solid. ) Black cloth-covered boards with gilt lettering on the spine; color illustrated DJ with white lettering; illustrated endpapers; xvii, 316 pp.; richly illustrated. "Olson discusses the paintings of Poussin, addressing their production and reception. He shows that although Poussin lived and worked for many years in Rome, he remained engaged with the cultural and political transformations occurring in France."--WorldCat.
Add this copy of Poussin and France: Painting, Humanism, and the to cart. $52.36, good condition, Sold by Bonita rated 4.0 out of 5 stars, ships from Newport Coast, CA, UNITED STATES, published 2002 by Yale University Press.
Add this copy of Poussin and France: Painting, Humanism, and the to cart. $84.20, new condition, Sold by Bonita rated 4.0 out of 5 stars, ships from Newport Coast, CA, UNITED STATES, published 2002 by Yale University Press.
Add this copy of Poussin and France: Painting, Humanism, and the to cart. $89.04, new condition, Sold by GridFreed rated 4.0 out of 5 stars, ships from North Las Vegas, NV, UNITED STATES, published 2002 by Yale University Press.
