This volume presents a view of recent developments in Russian art and architecture in the context of the critical debates of postmodernism and national cultures.
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This volume presents a view of recent developments in Russian art and architecture in the context of the critical debates of postmodernism and national cultures.
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Seller's Description:
Softcover book is in very good condition. Clean text, no markings. Tight binding, light general handling wear. Tulsa's best used bookstore. Located on South Mingo Road since 1991. No-hassle return policy if not completely satisfied.
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Seller's Description:
This item is fairly worn, but continues to work perfectly. Signs of wear can include aesthetic issues such as scratches, dents, worn corners, bends, tears, small stains, and partial water damage. All pages and the cover are intact, but the dust cover may be missing, if applicable. Pages may include excessive notes and highlighting, but the text is not obscured or unreadable. Satisfaction Guaranteed.
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Used-Very Good. VG paperback. 1994 1st edition with numerous colour and B&W illustrations; binding tight; spine uncreased; small, light crease to top front corner. Very slight crinkle to page fore-edges; otherwise, a clean, tidy copy.
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Very good. Bumped edges and book is warped Sun damage to edge of pages Next day dispatch by Royal Mail. International delivery available. 1000's of satisfied customers! Please contact us with any enquiries.
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New. This volume presents a view of recent developments in Russian art and architecture in the context of the critical debates of postmodernism and national cultures. The return to popular national sources in the 1960s through the 1980s was a means for Soviet artists in a multi-ethnic state to avoid submersion in the official ideology of "Socialist-Realism". The transition from totalitarianism to pluralism is evident in the diversity of work featured by both artists and architects from different regions of the former USSR. The essays presented here are by leading Russian and Western art and literary critics, including Charles Jencks, Alexander Rappaport, Alexei Tolstoy, and Nadezhda Yurasovskaya. They provide a critical, historical and personal context for a survey of the work produced in Russia since the fall of Communism.