How can we tell plagiarism from an allusion? How does imitation differ from parody? Where is the line between copyright infringement and homage? Questions of intellectual property have been vexed long before our own age of online piracy. In Victorian Britain, enterprising authors tested the limits of literary ownership by generating plagiaristic publications based on leading writers of the day. Adam Abraham illuminates these issues by examining imitations of three novelists: Charles Dickens, Edward Bulwer Lytton, and George ...
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How can we tell plagiarism from an allusion? How does imitation differ from parody? Where is the line between copyright infringement and homage? Questions of intellectual property have been vexed long before our own age of online piracy. In Victorian Britain, enterprising authors tested the limits of literary ownership by generating plagiaristic publications based on leading writers of the day. Adam Abraham illuminates these issues by examining imitations of three novelists: Charles Dickens, Edward Bulwer Lytton, and George Eliot. Readers of Oliver Twist may be surprised to learn about Oliver Twiss, a penny serial that usurped Dickens's characters. Such imitative publications capture the essence of their sources; the caricature, although crude, is necessarily clear. By reading works that emulate three nineteenth-century writers, this innovative study enlarges our sense of what literary knowledge looks like: to know a particular author means to know the sometimes bad imitations that the author inspired.
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Fine. Contains: Line drawings, black & white, Halftones, black & white, Unspecified. Cambridge Studies in Nineteenth-Century Literature and Culture . 6 b/w illus. Intended for professional and scholarly audience. In Stock. 100% Money Back Guarantee. Brand New, Perfect Condition, allow 4-14 business days for standard shipping. To Alaska, Hawaii, U.S. protectorate, P.O. box, and APO/FPO addresses allow 4-28 business days for Standard shipping. No expedited shipping. All orders placed with expedited shipping will be cancelled. Over 3, 000, 000 happy customers.
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New. Contains: Line drawings, black & white, Halftones, black & white, Unspecified. Cambridge Studies in Nineteenth-Century Literature and Culture . 6 b/w illus. Intended for professional and scholarly audience. In Stock. 100% Money Back Guarantee. Brand New, Perfect Condition, allow 4-14 business days for standard shipping. To Alaska, Hawaii, U.S. protectorate, P.O. box, and APO/FPO addresses allow 4-28 business days for Standard shipping. No expedited shipping. All orders placed with expedited shipping will be cancelled. Over 3, 000, 000 happy customers.
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PLEASE NOTE, WE DO NOT SHIP TO DENMARK. New Book from multilingual publisher. Shipped from UK within 4 to 14 days. Please check language within the description.
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New. Trade paperback (US). Glued binding. 299 p. Contains: Unspecified, Halftones, black & white, Line drawings, black & white. Cambridge Studies in Nineteenth-Century Literature and Cultu, 118.
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New. Trade paperback (US). Glued binding. 299 p. Contains: Unspecified, Halftones, black & white, Line drawings, black & white. Cambridge Studies in Nineteenth-Century Literature and Cultu, 118. In Stock. 100% Money Back Guarantee. Brand New, Perfect Condition, allow 4-14 business days for standard shipping. To Alaska, Hawaii, U.S. protectorate, P.O. box, and APO/FPO addresses allow 4-28 business days for Standard shipping. No expedited shipping. All orders placed with expedited shipping will be cancelled. Over 3, 000, 000 happy customers.
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New. Contains: Line drawings, black & white, Halftones, black & white, Unspecified. Cambridge Studies in Nineteenth-Century Literature and Culture . 6 b/w illus. Intended for professional and scholarly audience.
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Seller's Description:
PLEASE NOTE, WE DO NOT SHIP TO DENMARK. New Book from multilingual publisher. Shipped from UK within 4 to 14 days. Please check language within the description.
Choose your shipping method in Checkout. Costs may vary based on destination.
Seller's Description:
New. Trade paperback (US). Glued binding. 299 p. Contains: Unspecified, Halftones, black & white, Line drawings, black & white. Cambridge Studies in Nineteenth-Century Literature and Cultu, 118.