This lavishly illustrated publucation illuminates Camille Pissarro's remarkable transformation from a Barbizon-style landscape painter to one of the leaders of the emerging Impressionist movement. This is the first major examination of the revolutionary landscape paintings Pissarro created between 1864 and 1874. During this pivotal decade in the artist's career, Pissarro produced his most beautiful and innovative canvases and his experimental techniques and vision laid the groundwork for an entire generation of painters. ...
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This lavishly illustrated publucation illuminates Camille Pissarro's remarkable transformation from a Barbizon-style landscape painter to one of the leaders of the emerging Impressionist movement. This is the first major examination of the revolutionary landscape paintings Pissarro created between 1864 and 1874. During this pivotal decade in the artist's career, Pissarro produced his most beautiful and innovative canvases and his experimental techniques and vision laid the groundwork for an entire generation of painters. This publication brings together approximately 50 of these exquisite paintings, from key works included in the Salon exhibitions of the 1860s to a powerful selection of landscapes seen in the first Impressionist show of 1874. Many of these paintings are drawn from major museums around the world and rarely shown private collections. Along with full-color reproductions and in-depth catalogue entries on the paintings are essays on the development of Pissarro's painting style from 1864 to 1874, and on the influence of place in his work--acknowledging his formative years in St. Thomas and Venezuela as well as his fascination with the countryside surrounding Paris. Technical studies of several of the artist's paintings from the 1860s reveal new insights into the artist's creative process. This volume accompanies an exhibition organized by The Baltimore Museum of Art. It will travel to the Memphis Brooks Museum of Art in Tennessee and the Milwaukee Museum of Art in 2007.
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Seller's Description:
Good. Trade paperback (US). 214 p. Contains: Illustrations. Audience: General/trade. Address label on inside, first page. Moderate shelf wear on edges of covers and pages. Slight scuffing on back cover. Sticker residue on spine. Binding is tight and pages are clean.
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Seller's Description:
Good. Size: 12x9x1; Hardcover. Good / Good dust jacket. Free of any markings and no writings inside. Clear Text / Images. Modest show of wear to top and bottom edges of cover. Paper loss on bottom edge of boards. For any additional information or pictures, please inquire.
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Seller's Description:
Fair. This copy has clearly been enjoyed-expect noticeable shelf wear and some minor creases to the cover. Binding is strong and all pages are legible. May contain previous library markings or stamps.
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Seller's Description:
PISSARRO, Camille. Fine in fine jacket. Color reproductions throughout. 214 pages. Square 4to, green cloth, pictorial d.w. London: Philip Wilson/The Baltimore Museum of Art, (2006). A fine copy in a fine dust wrapper. Published in conjunction with the exhibition of the same name. Contributions by Gulru Cakmak, and Mary Sebera.
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Seller's Description:
New. 0856676306. *** FREE UPGRADE to Courier/Priority Shipping Upon Request *** – – *** IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT-Flawless copy, brand new, pristine, never opened-214 pages--with a bonus offer--
