When he went to West Africa in the 1940s, Michael Cardew found himself 'in a land where the potter's art had been flourishing for centuries without the use of wheels, or kilns, or glazes'. This book grew out of his desire to share all that he had learned from the African pioneers of pottery.
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When he went to West Africa in the 1940s, Michael Cardew found himself 'in a land where the potter's art had been flourishing for centuries without the use of wheels, or kilns, or glazes'. This book grew out of his desire to share all that he had learned from the African pioneers of pottery.
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This is one of the few books in the ceramics field which owns the classification of essential reading.
Covering Mr Cardew's history as an artist craftsman and his unique approach to international ceramics, with particular reference to working with so-called "primitive" peoples.
Although sometimes a dense read, it is packed with information, and is consequently one of those books you find yourself dipping into whenever you have a problem to solve.