Pilgrimage took Annie Leibovitz to places that she could explore with no agenda. She wasn't on assignment. She chose the subjects simply because they meant something to her. The first place was Emily Dickinson's house in Amherst, Massachusetts, which Leibovitz visited with a small digital camera. A few months later, she went with her three young children to Niagara Falls. 'That's when I started making lists,' she says. She added the houses of Virginia Woolf and Darwin in the English countryside and Freud's final home, in ...
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Pilgrimage took Annie Leibovitz to places that she could explore with no agenda. She wasn't on assignment. She chose the subjects simply because they meant something to her. The first place was Emily Dickinson's house in Amherst, Massachusetts, which Leibovitz visited with a small digital camera. A few months later, she went with her three young children to Niagara Falls. 'That's when I started making lists,' she says. She added the houses of Virginia Woolf and Darwin in the English countryside and Freud's final home, in London, but most of the places on the lists were American. The work became more ambitious as Leibovitz discovered that she wanted to photograph objects as well as rooms and landscapes. She began to use more sophisticated cameras and a tripod and to travel with an assistant, but the project remained personal. Leibovitz went to Concord to photograph the site of Thoreau's cabin at Walden Pond. Once she got there, she was drawn into the wider world of the Concord writers. Ralph Waldo Emerson's home and Orchard House, where Louisa May Alcott and her family lived and worked, became subjects. The Massachusetts studio of the Beaux Arts sculptor Daniel Chester French, who made the seated statue in the Lincoln Memorial, became the touchstone for trips to Gettysburg and to the archives where the glass negatives of Lincoln's portraits have been saved. Lincoln's portraitists - principally Alexander Gardner and the photographers in Mathew Brady's studio - were also the men whose work at the Gettysburg battlefield established the foundation for war photography. At almost exactly the same time, in a remote, primitive studio on the Isle of Wight, Julia Margaret Cameron was developing her own ultimately influential style of portraiture. Leibovitz made two trips to the Isle of Wight and, in an homage to the other photographer on her list, Ansel Adams, she explored the trails above the Yosemite Valley, where Adams worked for fifty years. The final list of subjects is perhaps a bit eccentric, featuring Georgia O'Keeffe and Eleanor Roosevelt but also Elvis Presley and Annie Oakley, among others. Figurative imagery gives way to the abstractions of Old Faithful and Robert Smithson's Spiral Jetty. Pilgrimage was a restorative project for Leibovitz, and the arc of the narrative is her own. 'From the beginning, when I was watching my children stand mesmerised over Niagara Falls, it was an exercise in renewal,' she says. 'It taught me to see again.'
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Seller's Description:
Annie Leibovitz. Fine in Near Fine jacket. First edition of this stunning photobook by American photographer Annie Leibovitz, capturing scenes of her travels. A remarkable large paper book by the famous American photographer Annie Leibovitz, capturing with in colour with great attention to detail moments of her explorations. Some of the places visited were Emily Dickinson's house in Massachusetts; the Niagara Falls; houses of Virginia Woolf and Charles Darwin; Sigmund Freud's final home; Walden Pond, &c. EEach scene or object observed with much sophistication, each subject personally picked by Leibovotz, producing an intimate project fully illustrated in text in colour. Â Complete with the unclipped dust wrapper. Â Annie Leibovitz is an American photographer, first woman to have a feature exhibition as Washington's National Portrait Gallery, famous for her portraits of celebrities in intimate settings and poses, and for taking the notorious polaroid picture of John Lennon a mere five hours before he was shot dead. Â Â In the original publisher's full cloth binding. Externally lovely. Dust wrapper unclipped and excellent, lightly rubbed to extremities of spine and wraps. Internally, firmly bound. Pages bright and clean. Fully illustrated in colour. Fine.
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Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority!
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Good. Good condition. Good dust jacket. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains. NOT AVAILABLE FOR SHIPMENT OUTSIDE OF THE UNITED STATES.
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Good. Shows minimal wear such as frayed or folded edges, minor rips and tears, and/or slightly worn binding. May have stickers and/or contain inscription on title page. No observed missing pages.
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Dust jacket in good condition. First edition, first printing. Shelf and handling wear to cover and binding, with general signs of previous use. Secure packaging for safe delivery.
