Many photographers are turning to the earliest methods of producing photographs as a protest against the technologically assisted equipment and techniques exemplified in digital photography. This volume reproduces their work and ideas, and includes an essay by Chuck Close.
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Many photographers are turning to the earliest methods of producing photographs as a protest against the technologically assisted equipment and techniques exemplified in digital photography. This volume reproduces their work and ideas, and includes an essay by Chuck Close.
Read Less
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Seller's Description:
Very Good in Very Good jacket. Book 1st edition. Hardbound in dust jacket. Former library copy with usual markings. Minor age toning to page edges, otherwise very good.
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Seller's Description:
This is an ex-library book and may have the usual library/used-book markings inside. This book has hardback covers. In fair condition, suitable as a study copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item, 1350grams, ISBN: 9780810904026.
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Seller's Description:
Like New in Like New jacket. First Edition, First Printing. Not price-clipped ($49.95 price intact). Published by Abrams, 2002. Quarto. Black boards. Book is like new; clean with no writing or names. Sharp corners and spine straight. Binding tight and pages crisp. Dust jacket is like new with very light shelf wear. An excellent copy of this book tracking the history of photography from a variety of photographers around the world. 159 pages. ISBN: 9780810904026. 100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions or if you would like a photo. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Southampton, New York.
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Seller's Description:
Color & Black and White Photos. Fine in Near Fine jacket. Photography's Antiquarian Avant-Garde charts the full-blown rebellion of contemporary photographers against the advent of digital photography and their reversion to photographic methods used in the nineteenth century. These photographers seek to reengage the physical facts of photography, its material and processes, by turning to the history of photography for metaphors, technical information, and visual inspiration. The artists in this volume are from all over the world and use a wide array of photographic processes. Among the artists and processes featured are Chuck Close's daguerreotypes, Sally Mann's collodion prints, Jayne Hinds Bidaut's photogram tintypes, Shirine Sharif's photograms, Gabor Kerekes's carbon dichromates, and Laurent Millet's toned silver prints. For these artists, these steps into the past are a way to reimagine and redirect not only the photographic object, but also the act of photography itself.
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Seller's Description:
Fine in fine jacket. With more than 120 illustrations in color. 159 pages. 4to, black cloth, d.w. New York: Abrams, (2002). First edition. A fine copy of this rather scarce book.
