Many photographers are turning to the earliest methods of producing photographs as a protest against the technologically assisted equipment and techniques exemplified in digital photography. This volume reproduces their work and ideas, and includes an essay by Chuck Close.
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Many photographers are turning to the earliest methods of producing photographs as a protest against the technologically assisted equipment and techniques exemplified in digital photography. This volume reproduces their work and ideas, and includes an essay by Chuck Close.
Read Less
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Seller's Description:
Fair. May contain writing notes highlighting bends or folds. Text is readable book is clean and pages and cover mostly intact. May show normal wear and tear. Item may be missing CD. May include library marks.
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Seller's Description:
Color & Black and White Photos. Fine in Near Fine jacket. Photography's Antiquarian Avant-Garde charts the full-blown rebellion of contemporary photographers against the advent of digital photography and their reversion to photographic methods used in the nineteenth century. These photographers seek to reengage the physical facts of photography, its material and processes, by turning to the history of photography for metaphors, technical information, and visual inspiration. The artists in this volume are from all over the world and use a wide array of photographic processes. Among the artists and processes featured are Chuck Close's daguerreotypes, Sally Mann's collodion prints, Jayne Hinds Bidaut's photogram tintypes, Shirine Sharif's photograms, Gabor Kerekes's carbon dichromates, and Laurent Millet's toned silver prints. For these artists, these steps into the past are a way to reimagine and redirect not only the photographic object, but also the act of photography itself.
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Seller's Description:
Fine in fine jacket. With more than 120 illustrations in color. 159 pages. 4to, black cloth, d.w. New York: Abrams, (2002). First edition. A fine copy of this rather scarce book.