Swedish guitarist Mats Bergström has an unusually wide field of experience that includes recordings of the usual Spanish repertory, work with American-Swedish singer Barbara Hendricks, and a stint playing in ensembles associated with composer Steve Reich. The last of these is most relevant to this innovative collection of contemporary guitar music, which develops minimalist ideas and draws on both Nordic and American influences. At the center of the program is Arvo Pärt's Fratres, a protean work that has taken as many forms ...
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Swedish guitarist Mats Bergström has an unusually wide field of experience that includes recordings of the usual Spanish repertory, work with American-Swedish singer Barbara Hendricks, and a stint playing in ensembles associated with composer Steve Reich. The last of these is most relevant to this innovative collection of contemporary guitar music, which develops minimalist ideas and draws on both Nordic and American influences. At the center of the program is Arvo Pärt's Fratres, a protean work that has taken as many forms as there are occasions when it has been useful. Here it appears in a 1998 arrangement for guitar, violin, and double bass. These two accompanying instruments appear in a variety of guises in most of the music on the album, and Fratres also directly spawns another work: Staffan Mossenmark and Jesper Norda's Notes on Fratres, an electronic remix of the same arrangment. The three works by double bassist Anders Jormin seem to be the source of the album's rather general title, with...
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