As one of the most significant figures of modernism, Krzysztof Penderecki is immediately associated in the public mind with his groundbreaking compositions, Threnody for the Victims of Hiroshima, St. Luke Passion, and De Natura Sonoris I and II, which were among the most innovative and challenging works of the 1960s and '70s. However, Penderecki adopted a neo-Romantic style that has dominated his music from the late '70s onward, and many of his pieces were composed for strings or small orchestra and last under 10 minutes. ...
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As one of the most significant figures of modernism, Krzysztof Penderecki is immediately associated in the public mind with his groundbreaking compositions, Threnody for the Victims of Hiroshima, St. Luke Passion, and De Natura Sonoris I and II, which were among the most innovative and challenging works of the 1960s and '70s. However, Penderecki adopted a neo-Romantic style that has dominated his music from the late '70s onward, and many of his pieces were composed for strings or small orchestra and last under 10 minutes. This 2008 album by Penderecki and the Varsovia Symphony Orchestra explores some of his music from 1963 to 2005. There is one example of music from his avant-garde period, namely the Intermezzo for 24 strings (1973), which is a study of close-knit contrapuntal repetitions of short figures. Other than that, the music is fairly conventional in harmony and stylistically quite accessible to most listeners. The Pieces (3) in Baroque Style date from 1963 and may have the strongest appeal to...
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